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Genre/Form: Conference papers and proceedings
Criticism, interpretation, etc
Congresses
Additional Physical Format: Electronic version:
Colloque "Musique française 1900-1945" (2004 : Université de Montréal).
Musique et modernité en France, 1900-1945.
Montréal [Que.] : Presses de l'Université de Montréal, c2006
(OCoLC)1082208188
Material Type: Conference publication
Document Type: Book
All Authors / Contributors: Michel Duchesneau; François de Médicis; Sylvain Caron; Université de Montréal. Observatoire international de la création musicale,
ISBN: 9782760619890 2760619893
OCLC Number: 123960160
Notes: Papers originally presented at the conference "Musique française 1900-1945 : perspective multidisciplinaire sur la modernité" held at the Université de Montréal's Observatoire international de la création musicale in March 2004.
Description: 428 pages : illustrations, music ; 21 cm.
Contents: Introduction / Sylvain Caron, François de Médicis et Michel Duchesneau --
Histoires interrompues : reconter l'histoire de la musique moderne en France / Annegret Fauser --
Les années 1940-1945 : notes sure une périodisation usuelle de l'histoire de la musique / Nicolas Donin --
Jean Cocteau, impresario musical à la croisée des arts / Malou Haine --
Évolution de la musique de scène en France de 1900 à 1945 / Catherine Steinegger --
L'Orestie de Claudel et Milhaud / François De Médicis --
La réception de La création du monde : un mélange des genres / Marie-Noëlle Lavoie --
Temporalité, spatialité et modernité dans le ballet L'Homme et son désir de Claudel et Milhaud / Jacinthe Harbec --
La duplication chez Debussy : perspectives sur une temporalité cyclique / Sylveline Bourion --
Hiérarchie et homogénéité dans Le jardin clos de Fauré / Sylvain Caron --
Le dialoque entre le sonore, le visuel et le verbal dans les Sports et divertissements de Satie / Radosveta Bruzaud --
Composer en images? : À propos des symphonies de Honegger / Peter Jost --
Les Faux-monnayeurs d'André Gide : les traces d'un discours sur la musique / Danick Trottier --
Kœchlin : réflexion sur la modernité / Michel Duchesneau --
Le Quatorze juillet : modernisme populaire sous le Front populaire / Christopher Moore --
Des unanimistes à l'art sonore : quand la littérature, l'art et la musique recréent la technologie / Marc Battier.
Series Title: Paramètres.
Responsibility: sous la direction de Sylvain Caron, François de Médicis et Michel Duchesneau.

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Observatoire international de la cr\u00E9ation musicale,<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/50456871#Meeting\/colloque_musique_francaise_1900_1945_2004_universite_de_montreal<\/a>> ; # Colloque \"Musique fran\u00E7aise 1900-1945\" (2004 : Universit\u00E9 de Montr\u00E9al)<\/span>\n\u00A0\u00A0\u00A0\nschema:copyrightYear<\/a> \"2006<\/span>\" ;\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2006<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Introduction \/ Sylvain Caron, Fran\u00E7ois de M\u00E9dicis et Michel Duchesneau -- Histoires interrompues : reconter l\'histoire de la musique moderne en France \/ Annegret Fauser -- Les ann\u00E9es 1940-1945 : notes sure une p\u00E9riodisation usuelle de l\'histoire de la musique \/ Nicolas Donin -- Jean Cocteau, impresario musical \u00E0 la crois\u00E9e des arts \/ Malou Haine -- \u00C9volution de la musique de sc\u00E8ne en France de 1900 \u00E0 1945 \/ Catherine Steinegger -- L\'Orestie de Claudel et Milhaud \/ Fran\u00E7ois De M\u00E9dicis -- La r\u00E9ception de La cr\u00E9ation du monde : un m\u00E9lange des genres \/ Marie-No\u00EBlle Lavoie -- Temporalit\u00E9, spatialit\u00E9 et modernit\u00E9 dans le ballet L\'Homme et son d\u00E9sir de Claudel et Milhaud \/ Jacinthe Harbec -- La duplication chez Debussy : perspectives sur une temporalit\u00E9 cyclique \/ Sylveline Bourion -- Hi\u00E9rarchie et homog\u00E9n\u00E9it\u00E9 dans Le jardin clos de Faur\u00E9 \/ Sylvain Caron -- Le dialoque entre le sonore, le visuel et le verbal dans les Sports et divertissements de Satie \/ Radosveta Bruzaud -- Composer en images? : \u00C0 propos des symphonies de Honegger \/ Peter Jost -- Les Faux-monnayeurs d\'Andr\u00E9 Gide : les traces d\'un discours sur la musique \/ Danick Trottier -- K\u0153chlin : r\u00E9flexion sur la modernit\u00E9 \/ Michel Duchesneau -- Le Quatorze juillet : modernisme populaire sous le Front populaire \/ Christopher Moore -- Des unanimistes \u00E0 l\'art sonore : quand la litt\u00E9rature, l\'art et la musique recr\u00E9ent la technologie \/ Marc Battier.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:editor<\/a> <http:\/\/viaf.org\/viaf\/47070745<\/a>> ; # Sylvain Caron<\/span>\n\u00A0\u00A0\u00A0\nschema:editor<\/a> <http:\/\/viaf.org\/viaf\/10154261<\/a>> ; # Fran\u00E7ois de M\u00E9dicis<\/span>\n\u00A0\u00A0\u00A0\nschema:editor<\/a> <http:\/\/viaf.org\/viaf\/56711984<\/a>> ; # Michel Duchesneau<\/span>\n\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/50456871<\/a>> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Conference publication<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Conference papers and proceedings<\/span>\" ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Criticism, interpretation, etc.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"fr<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/50456871#Series\/parametres<\/a>> ; # Param\u00E8tres.<\/span>\n\u00A0\u00A0\u00A0\nschema:isSimilarTo<\/a> <http:\/\/www.worldcat.org\/oclc\/1082208188<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Musique et modernit\u00E9 en France, 1900-1945<\/span>\" ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"123960160<\/span>\" ;\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9782760619890<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/123960160<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/50456871#Event\/1900_1999<\/a>> # 1900-1999<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Event<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"1900-1999<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/50456871#Meeting\/colloque_musique_francaise_1900_1945_2004_universite_de_montreal<\/a>> # Colloque \"Musique fran\u00E7aise 1900-1945\" (2004 : Universit\u00E9 de Montr\u00E9al)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:Meeting<\/a>, schema:Event<\/a> ;\u00A0\u00A0\u00A0\nschema:location<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/50456871#Place\/universite_de_montreal<\/a>> ; # Universit\u00E9 de Montr\u00E9al)<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Colloque \"Musique fran\u00E7aise 1900-1945\" (2004 : Universit\u00E9 de Montr\u00E9al)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/50456871#Organization\/universite_de_montreal_observatoire_international_de_la_creation_musicale<\/a>> # Universit\u00E9 de Montr\u00E9al. Observatoire international de la cr\u00E9ation musicale,<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Universit\u00E9 de Montr\u00E9al. Observatoire international de la cr\u00E9ation musicale,<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/50456871#Place\/universite_de_montreal<\/a>> # Universit\u00E9 de Montr\u00E9al)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Universit\u00E9 de Montr\u00E9al)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/50456871#Series\/parametres<\/a>> # Param\u00E8tres.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:PublicationSeries<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/www.worldcat.org\/oclc\/123960160<\/a>> ; # Musique et modernit\u00E9 en France, 1900-1945<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Param\u00E8tres.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Param\u00E8tres<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/50456871#Topic\/modernism_music_france<\/a>> # Modernism (Music)--France<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh2004014988<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Modernism (Music)--France<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/50456871#Topic\/music_france_philosophy_and_aesthetics<\/a>> # Music--France--Philosophy and aesthetics<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh85088839<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music--France--Philosophy and aesthetics<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/classification\/ML270<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/subjects\/sh2008108102<\/a>> # Music--France--20th century--History and criticism<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music--France--20th century--History and criticism<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/quc<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"quc<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/1030269<\/a>> # Music<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/1030408<\/a>> # Music--Philosophy and aesthetics<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music--Philosophy and aesthetics<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/1204289<\/a>> # France.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"France.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/1736351<\/a>> # Modernism (Music)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Modernism (Music)<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/10154261<\/a>> # Fran\u00E7ois de M\u00E9dicis<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1964<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"M\u00E9dicis<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Fran\u00E7ois de<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Fran\u00E7ois de M\u00E9dicis<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/47070745<\/a>> # Sylvain Caron<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1962<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Caron<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Sylvain<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Sylvain Caron<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/56711984<\/a>> # Michel Duchesneau<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Duchesneau<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Michel<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Michel Duchesneau<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9782760619890<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"2760619893<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9782760619890<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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