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Mute Records : Artists, Business, History.

Author: Zuleika Beaven; Marcus O'Dair; Richard Osborne
Publisher: New York : Bloomsbury Academic & Professional, 2018.
Edition/Format:   eBook : Document : EnglishView all editions and formats
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Beaven, Zuleika.
Mute Records : Artists, Business, History.
New York : Bloomsbury Academic & Professional, ©2018
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Zuleika Beaven; Marcus O'Dair; Richard Osborne
ISBN: 9781501340628 150134062X
OCLC Number: 1080077246
Description: 1 online resource (265 pages)
Contents: Intro; Title Page; Copyright Page; Contents; List of Plates and Figures; Acknowledgements; List of Contributors; Introduction: Mute Records; Enjoy the silence; Double heart; Construction time again; References; Chapter 1: 'Let's Make Love Before You Die': 'Warm Leatherette', Boredom and the Invention of the 1980s; Anatomy; Crash I; Boredoms; Boredom II: Unboring boredom; Boredom III: Boring boredom; Crash II: Coolness; Reflection in the luminescent dash; References; Chapter 2: 'One Man's Meat': Fad Gadget's Social Commentary and Post-Punk; Dance music for post-apocalyptic times Bodies and masksState of the nation; Exit Fad; References; Chapter 3: Depeche Mode and Soft Cell: Redefining the Synth-Pop Prologu; New town, art school; Mediator, maverick; Credibility, commerciality; Identity, perversity; Conclusion: The redefined prologue of Mute and Some Bizzare; References; Chapter 4: Fans of Faith and Devotion: Obsession, Nostalgia and Depeche Mode; Introduction; Nostalgia, memory and Depeche Mode in 101; The cultural capital of extreme fandom in Our Hobby is Depeche Mode; Conclusion; References Chapter 5: Throbbing Gristle's Early Records: Post-Hippie/Pre-Punk/Post-PunkThe set-up; Birth and death; The cut-up; Voices; Persuasion (timbre); Canon fodder; References; Chapter 6: 'Join That Troubled Chorus': Nick Cave, the Bad Seeds and the Blues; References; Chapter 7: Mark Stewart, 'Somewhere'; Acknowledgement; Reference; Chapter 8: 'Sometimes, Always': Erasure, Mute and the Value of Independence; References; Chapter 9: Outside Mute? Ut, No Wave and Blast First; Introduction: Margins; No wave and Ut; Nothing short of total war; Conclusion; References Chaptert 10: The Mash-Up of Aesthetics, Theory and Politics in Laibach's Meta-SoundPrelude; First movement: Laibach's meta-sound; Second movement: 'Anglia'; Third movement: 'Whistleblowers'; Postlude; References; Chapter 11: The Blessed Glow of Labour: Independence, Style and Process in the Music of Swans; Following the sound; Construction work; More work to do; Glowing; References; Chapter 12: Moby, Minstrelsy and Melville; Melville and minstrelsy; Minstrelsy and Moby; Moby and Melville; References; Chapter 13: Country Girl: Rural Feminism in the Performance of Alison Goldfrapp Photographs: Anna Fox and Alison GoldfrappSweet Fanny Adams; Art and desire; References; Chapter 14: Twist: Goldfrapp's Genre Perversion; Disco; Glam; Folk; References; Chapter 15: Arca: Mute's Mutant; References; Chapter 16: Composing in Circuitry: Sonic Artist Dirty Electronics; Working the circuit; Being Dirty Electronics; Mute meets Dirty; Democracy equals music technology!; References; Index

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There is plenty here to enjoy ... Among the best chapters by far are those flowing out of the stories of feminism, gay activism and sheer theatricality. * The Wire * An important history of a highly Read more...

 
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