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My Southeast Asia : Episode 3

Author: Infobase,; CINEFETE (Firm)
Publisher: [Place of publication not identified] : CINEFETE, New York, N.Y. : Distributed by Infobase, [2012] ©2012 2018.
Series: My Southeast Asia, with Dr. Farish.
Edition/Format:   eVideo : Clipart/images/graphics : EnglishView all editions and formats
Summary:
We first travel with Dr. Farish along the Chao Praya, to see the giant Buddha statue Luang Pho To Buddha, protected by a gold parasol. In this episode, Dr. Farish continues his exploration of the significance of the parasol in Southeast Asian culture. Later we visit the royal house in West Sumatra and learn how the king continues to preserve his culture. In Singapore, at the Asian Civilizations Museum, Dr. Farish  Read more...
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Genre/Form: Internet videos
Material Type: Clipart/images/graphics, Internet resource, Videorecording
Document Type: Internet Resource, Computer File, Visual material
All Authors / Contributors: Infobase,; CINEFETE (Firm)
OCLC Number: 1042125102
Language Note: Closed-captioned.
Notes: Originally released by CINEFETE, 2012.
Streaming video file encoded with permission for digital streaming by Infobase on April 30, 2018.
Title from distributor's description
Target Audience: 9 - 12, Academic/AP
Description: 1 online resource (1 video file (22 min., 47 sec.)) : sound, color
Contents: Bangkok, Thailand (2:27); Yangon, Myanmar (4:18); Siguntur, West Sumatra (3:01); Wood Carvings (7:06); Wayang Kulit (4:06); Credits: My Southeast Asia: Episode 3 (0:19);
Series Title: My Southeast Asia, with Dr. Farish.
Responsibility: CINEFETE.

Abstract:

We first travel with Dr. Farish along the Chao Praya, to see the giant Buddha statue Luang Pho To Buddha, protected by a gold parasol. In this episode, Dr. Farish continues his exploration of the significance of the parasol in Southeast Asian culture. Later we visit the royal house in West Sumatra and learn how the king continues to preserve his culture. In Singapore, at the Asian Civilizations Museum, Dr. Farish introduces us to his friend David Henkel, and both travel to Kota Bharu to meet Nik Rashiddin's brother. Nik Rashiddin was Southeast Asia's best traditional wood carver, and we see how his family continues to keep his heritage alive. And finally a look at wayang kulit (shadow puppet theater performance) that still thrives in spite of being outlawed by the state government for being un-Islamic.

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