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Narrative as counter-memory : a half-century of postwar writing in Germany and Japan

Auteur : Reiko Tachibana
Éditeur: New York : State University of New York Press, ©1998.
Édition/format:   Livre imprimé : AnglaisVoir toutes les éditions et tous les formats
Résumé:
For the first time, this book offers an extensive comparative study of German and Japanese narratives that serve as a form of "counter-memory," in Foucault's phrase, for the two cultures. Rather than attempting to present objective or comprehensive views of history, these narratives draw upon personal memories to offer subjective, selective, and individualistic reports. They provide an alternative (or
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Détails

Genre/forme: Criticism, interpretation, etc
Type d’ouvrage: Ressource Internet
Type de document: Livre, Ressource Internet
Tous les auteurs / collaborateurs: Reiko Tachibana
ISBN: 0791436632 9780791436639 0791436640 9780791436646 0585059381 9780585059389
Numéro OCLC: 36857597
Description: xv, 345 pages ; 24 cm
Contenu: Introduction: Contexts for a Half-Century of Remembering --
Historical and Literary Contexts --
Critical Contexts --
Lines of Convergence--and Difference --
Evoking the Ruins: The Re-creation of Immediacy --
Genbaku Bungaku in Japan --
Ota Yoko and Hara Tamiki --
Ooka Shohei --
Trummerliteratur in Germany: Wiechert and Borchert --
Heinrich H"oll: Tr"ummerliteratur and Beyond --
Synopsis --
The Achievement of a Distanced Perspective --
The Obsession to Destroy Monuments: Mishima and Boll --
Grass's Tin Drum and Oe's "My Tears" --
The Documentary Novel: Ibuse Masuji's Black Rain --
Synopsis --
Expansion in Time and Place --
The Internationalized Documentary Novel: Uwe Johnson's Anniversaries --
The Internationalized Folktale Novel: Oba Minako's Urashimaso --
The Rewriting of Ancient Legend: Christa Wolf's Cassandra --
The Rewriting of One's Own Story: Oe's "Trial" --
The End of the Line.
Responsabilité: Reiko Tachibana.

Résumé:

For the first time, this book offers an extensive comparative study of German and Japanese narratives that serve as a form of "counter-memory," in Foucault's phrase, for the two cultures. Rather than attempting to present objective or comprehensive views of history, these narratives draw upon personal memories to offer subjective, selective, and individualistic reports. They provide an alternative (or "counter-memory") to more official versions of World War II and its aftermath.

Major writers such as Mishima Yukio, Ibuse Masuji, Oba Minako, Gunter Grass, Uwe Johnson, Christa Wolf, and the Nobel Prize winners Oe Kenzaburo and Heinrich Boll are set in the context of lesser-known writers, including a nine-year-old child, a medical doctor, a woman who served as a journalist, and a former prisoner, to provide a broad cultural basis for understanding responses to the war from within the two societies.

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