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Native American song at the frontiers of early modern music

Author: Olivia Ashley Bloechl
Publisher: Cambridge, United Kingdom : Cambridge University Press, [2008] © 2008
Series: New perspectives in music history and criticism.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"Olivia A. Bloechl reconceives the history of French and English music from the sixteenth through to the eighteenth century from the perspective of colonial history. She demonstrates how encounters with native American music in the early years of colonization changed the course of European music history. Colonial wealth provided for sumptuous and elite musical display, and American musical practices, materials, and  Read more...
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Genre/Form: Music
Criticism, interpretation, etc
History
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Olivia Ashley Bloechl
ISBN: 9780521866057 0521866057
OCLC Number: 181141173
Description: xxi, 279 pages : illustrations, music, facsimiles ; 24 cm.
Contents: On colonial difference and musical frontiers: directions for a postcolonial musicology --
Part I: Transatlantic savagery --
Protestant imperialism and the metaphysics of New World song --
The voice of possession --
The voice of prophecy --
Part II: Staging the Indian --
Musicking Indians in the Stuart court masque --
Savage Lully --
Rameau's Les sauvages and the aporia of musical nature --
Conclusion: opera, elsewhere.
Series Title: New perspectives in music history and criticism.
Responsibility: Olivia A. Bloechl.
More information:

Abstract:

Drawing on evidence from a wide array of musical, linguistic, and visual sources, this book demonstrates that early American colonization shaped European music cultures in fundamental ways. It offers  Read more...

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"Bloechl's detailed investigation of relationships and interfaces, conflicts and accommodations, is wide-ranging, thoughtful, and persuasive. Her book is an important contribution not only to music Read more...

 
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