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Neue Sachlichkeit 1918-33 : unity and diversity of an art movement

Author: Steve Plumb
Publisher: Amsterdam : Rodopi, 2006.
Series: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 104.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Neue Sachlichkeit is thought by many to have too many diverse elements to be a unified movement. Originally divided by G.F. Hartlaub into two 'wings', Neue Sachlichkeit has since been broken down by critics into more groups, sometimes with opposing styles or regional influences. However, the importance of these divisions has rarely been explored in depth. Unlike previous surveys, which accept Neue Sachlichkeit as a  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Plumb, Steve.
Neue Sachlichkeit 1918-33.
Amsterdam : Rodopi, 2006
(OCoLC)69983674
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Steve Plumb
ISBN: 9781429468039 1429468033 9789401203104 9401203105
OCLC Number: 126850972
Notes: Revision of the author's thesis (doctoral-University of Sunderland, 2002).
Description: 1 online resource (165 pages) : illustrations.
Contents: Neue Sachlichkeit 1918-33; Contents; Illustrations; Abbreviations; Acknowledgements; 1. Introduction; 2. Art of its Time. The Great War and the Weimar Republic; 3. Neue Sachlichkeit Defined?; 4. A Theoretical Approach; 5. A Thematic Approach; 6. The New Photography; 7. Neue Sachlichkeit Literature; 8. Neue Sachlichkeit, Modern Art, and National Socialism; 9. Conclusion; Bibliography; Index.
Series Title: Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft, 104.
Responsibility: Steve Plumb.

Abstract:

Neue Sachlichkeit is thought by many to have too many diverse elements to be a unified movement. Originally divided by G.F. Hartlaub into two 'wings', Neue Sachlichkeit has since been broken down by critics into more groups, sometimes with opposing styles or regional influences. However, the importance of these divisions has rarely been explored in depth. Unlike previous surveys, which accept Neue Sachlichkeit as a divided entity, this book shows for the first time that in spite of its divisions, it may still be regarded as a unified, coherent movement. While different artists may have sought.

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