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New wave clay : ceramic design, art and architecture

Author: Tom Morris
Publisher: Amsterdam : Frame Publishers, [2018] ©2018
Edition/Format:  Print book : Biography : EnglishView all editions and formats
Summary:
"Throughout the twentieth century, ceramics was broadly divided into two sectors. Studio pottery, which was a reaction against the mass-made wares of the industrial revolution, and fine art by contemporary artists, who just happened to use clay in their practice but rejected many of its traditional codes of practice. The unprecedented surge in popularity of ceramics in the last five years has helped forge a new type  Read more...
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Details

Genre/Form: History
Material Type: Biography
Document Type: Book
All Authors / Contributors: Tom Morris
ISBN: 9492311240 9789492311245
OCLC Number: 1038706709
Notes: Includes index.
Description: 296 pages : colour illustrations ; 28 cm
Responsibility: Tom Morris.

Abstract:

"Throughout the twentieth century, ceramics was broadly divided into two sectors. Studio pottery, which was a reaction against the mass-made wares of the industrial revolution, and fine art by contemporary artists, who just happened to use clay in their practice but rejected many of its traditional codes of practice. The unprecedented surge in popularity of ceramics in the last five years has helped forge a new type of potter: the ceramic designer. Part-craftsman, part designer, they bridge ceramic craft, collectable design, and fine art. These ceramicists include product designers who use clay as a means of creative expression, and classically trained potters who create design-led pieces, in addition to interior decorators, illustrators, and graphic designers. Their collective output includes furniture, decorative objects, murals, and vessels: not art, not craft, but design. The ambition of the book is to show the diversity of this area of creative production and the way in which history, craft, technology, and design are all intersecting in the present day, creating a new type of designer--and a new type of ceramicist. The book is divided into four thematic chapters and accompanied by written contributions on the subject from designers, decorators, and collectors."--

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Studio pottery, which was a reaction against the mass-made wares of the industrial revolution, and fine art by contemporary artists, who just happened to use clay in their practice but rejected many of its traditional codes of practice. The unprecedented surge in popularity of ceramics in the last five years has helped forge a new type of potter: the ceramic designer. Part-craftsman, part designer, they bridge ceramic craft, collectable design, and fine art. These ceramicists include product designers who use clay as a means of creative expression, and classically trained potters who create design-led pieces, in addition to interior decorators, illustrators, and graphic designers. Their collective output includes furniture, decorative objects, murals, and vessels: not art, not craft, but design. 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