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NFB Memories - Monique Mercure

Author: National Film Board of Canada.
Publisher: Montreal : National Film Board of Canada, 2013.
Series: National Film Board Screening Room
Edition/Format:   eVideo : Clipart/images/graphics : National government publication : EnglishView all editions and formats
Publication:National Film Board Screening Room
Summary:
From Festin des morts (Dansereau, 1965) to Naked Lunch (Cronenberg, 1991), Monique Mercure has played an astonishing range of roles, both large and small, with distinctive intensity and character. Launching her career at a time when the profession of film actress was hardly recognized in Quebec, she quietly established her powerful presence. Her friend Claude Jutra cast her in À tout prendre (1963), and Deux femmes  Read more...
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Details

Genre/Form: Documentary films
Biographies
History
Biography
Named Person: Monique Mercure
Material Type: Clipart/images/graphics, Government publication, National government publication, Internet resource, Videorecording
Document Type: Internet Resource, Computer File, Visual material
All Authors / Contributors: National Film Board of Canada.
OCLC Number: 1014233944
Notes: Québec Studio.
Credits: Researcher/direction/editing, Denys Desjardins ; producer, Johanne Bergeron ; photographic research, Marion Duhaime-Morissette ; sweetening/original music, Luc Papineau.
Description: 1 online resource (1 streaming video file (7 min.))
Series Title: National Film Board Screening Room
Responsibility: National Film Board of Canada.

Abstract:

From Festin des morts (Dansereau, 1965) to Naked Lunch (Cronenberg, 1991), Monique Mercure has played an astonishing range of roles, both large and small, with distinctive intensity and character. Launching her career at a time when the profession of film actress was hardly recognized in Quebec, she quietly established her powerful presence. Her friend Claude Jutra cast her in À tout prendre (1963), and Deux femmes en or (Fournier, 1970) would consolidate her popularity. Winning the Best Actress Award at Cannes for her extraordinary performance in J.A. Martin photographe (Beaudin, 1976), she went on to work with the biggest names in Quebec film--Jutra again, Labrecque, Poirier, Pool, Lepage, Aubert--crossing generational and linguistic divides. In La brunante (2007), she reunited with director Fernand Dansereau, reprising the role of Madeleine 40 years after she first played the character in Ça n'est pas le temps des romans.

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Primary Entity<\/h3>\n
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Launching her career at a time when the profession of film actress was hardly recognized in Quebec, she quietly established her powerful presence. Her friend Claude Jutra cast her in \u00C0 tout prendre (1963), and Deux femmes en or (Fournier, 1970) would consolidate her popularity. Winning the Best Actress Award at Cannes for her extraordinary performance in J.A. Martin photographe (Beaudin, 1976), she went on to work with the biggest names in Quebec film--Jutra again, Labrecque, Poirier, Pool, Lepage, Aubert--crossing generational and linguistic divides. 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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/4614414239#Person\/mercure_monique_1930<\/a>> # Monique Mercure<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1930<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Mercure<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Monique<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Monique Mercure<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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