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NFB Memories - Pierre Patry

Author: National Film Board of Canada.
Publisher: Montreal : National Film Board of Canada, 2014.
Series: National Film Board Screening Room
Edition/Format:   eVideo : Clipart/images/graphics : National government publication : EnglishView all editions and formats
Publication:National Film Board Screening Room
Summary:
It was Claude Jutra, always keen to work with friends, who brought Pierre Patry to the NFB, inviting him to assist on Les mains nettes (1958). Patry would direct a dozen films of his own, including Petit discours de la méthode (1963). He left early, dreaming of directing features--and by the tim he was 30, he had founded Coopératio and attained his goal. His first film, Trouble-fête (1964), was a box-office hit,  Read more...
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Genre/Form: Documentary films
Biographies
History
Biography
Named Person: Pierre Patry
Material Type: Clipart/images/graphics, Government publication, National government publication, Internet resource, Videorecording
Document Type: Internet Resource, Computer File, Visual material
All Authors / Contributors: National Film Board of Canada.
OCLC Number: 1014233899
Notes: Québec Studio.
Credits: Researcher/direction/editing, Denys Desjardins ; producer, Johanne Bergeron ; photographic research, Marion Duhaime-Morissette ; sweetening/original music, Luc Papineau.
Description: 1 online resource (1 streaming video file (4 min.))
Series Title: National Film Board Screening Room
Responsibility: National Film Board of Canada.

Abstract:

It was Claude Jutra, always keen to work with friends, who brought Pierre Patry to the NFB, inviting him to assist on Les mains nettes (1958). Patry would direct a dozen films of his own, including Petit discours de la méthode (1963). He left early, dreaming of directing features--and by the tim he was 30, he had founded Coopératio and attained his goal. His first film, Trouble-fête (1964), was a box-office hit, announcing a new dawn for Quebec's movie industry. Patry went on to produce other features, including Michel Brault's Entre la mer et l'eau douce . Joining forces with industry peers, he helped establish the federal funding agency Telefilm Canada, but did not benefit himself. Following Les colombes (Jean-Claude Lord, 1972), his final film, he quit feature-film production and turned to the world of educational TV.

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