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No internet, no art : a Lunch Bytes anthology

Author: Melanie Bühler
Publisher: [Eindhoven, Netherlands] : Onomatopee, [2015] ©2015
Series: Onomatopee (Series), no. 102.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
Today it has become increasingly difficult to find a person or an object without some kind of connection to the internet. 'No internet, no art' is dedicated to exploring what this situation entails with respect to one cultural field in particular: art. This anthology forms both the culmination and a continuation of a series of public events titled 'Lunch Bytes: Thinking about Art and Digital Culture', held in  Read more...
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Genre/Form: History
Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Melanie Bühler
ISBN: 9494677358 9789494677356 9789491677359 9491677357 9789491677960 9491677969
OCLC Number: 1008284265
Notes: " ... 'No internet, no art' forms both the culmination and a continuation of a series of public events titled 'Lunch bytes- thinking about art and digital culture' ... which took place between 2011 and 2012 in Washington, D.C."--Page 9.
Description: 32 unnumbered pages, 351 pages, 32 unnumbered pages : illustrations (some colour) ; 25 cm.
Series Title: Onomatopee (Series), no. 102.
Responsibility: edited by Melanie Bühler.

Abstract:

Today it has become increasingly difficult to find a person or an object without some kind of connection to the internet. 'No internet, no art' is dedicated to exploring what this situation entails with respect to one cultural field in particular: art. This anthology forms both the culmination and a continuation of a series of public events titled 'Lunch Bytes: Thinking about Art and Digital Culture', held in Washington, D.C., which invited artists and experts from different fields to discuss their work in relation to this overarching theme. By opening up the often narrowly-defined discursive field of 'post-internet,' artistic practices are examined thematically within the larger context of digital culture. As such, this anthology offers valuable new contributions to the fields of art history, media studies, philosophy, curatorial studies, and design.

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