Novel Beginnings : Experiments in Eighteenth-Century English Fiction (eBook, 2008) [WorldCat.org]
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Novel Beginnings : Experiments in Eighteenth-Century English Fiction

Publisher: New Haven, CT : Yale University Press, [2008] ©2008
Series: Yale Guides to English Literature
Edition/Format:   eBook : Document : Government publication : EnglishView all editions and formats
Summary:
In this study intended for general readers, eminent critic Patricia Meyer Spacks provides a fresh, engaging account of the early history of the English novel. Novel Beginnings departs from the traditional, narrow focus on the development of the realistic novel to emphasize the many kinds of experimentation that marked the genre in the eighteenth century before its conventions were firmly established in the  Read more...
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Details

Genre/Form: Criticism, interpretation, etc
History
Material Type: Document, Government publication, Internet resource
Document Type: Internet Resource, Computer File
ISBN: 9780300128338 0300128339
OCLC Number: 1024051225
Language Note: In English.
Description: 1 online resource : 0.
Contents: Frontmatter --
Contents --
Acknowledgments --
1. The Excitement of Beginnings --
2. Novels of Adventure --
3. The Novel of Development --
4. Novels of Consciousness --
5. The Novel of Sentiment --
6. The Novel of Manners --
7. Gothic Fiction --
8. The Political Novel --
9. Tristram Shandy and the Development of the Novel --
Afterword. What Came Next --
Suggestions for Further Reading --
Works Cited --
Index
Series Title: Yale Guides to English Literature
Responsibility: Patricia Meyer Spacks.
More information:

Abstract:

In this study intended for general readers, eminent critic Patricia Meyer Spacks provides a fresh, engaging account of the early history of the English novel. Novel Beginnings departs from the traditional, narrow focus on the development of the realistic novel to emphasize the many kinds of experimentation that marked the genre in the eighteenth century before its conventions were firmly established in the nineteenth. Treating well-known works like Tom Jones and Tristram Shandy in conjunction with less familiar texts such as Sarah Fielding's The Cry (a kind of hybrid novel and play) and Jane Barker's A Patch-Work Screen for the Ladies (a novel of adventure replete with sentimental verse and numerous subnarratives), the book evokes the excitement of a multifaceted and unpredictable process of growth and change.Investigating fiction throughout the 1700s, Spacks delineates the individuality of specific texts while suggesting connections among novels. She sketches a wide range of forms and themes, including Providential narratives, psychological thrillers, romans à clef, sentimental parables, political allegories, Gothic romances, and many others. These multiple narrative experiments show the impossibility of thinking of eighteenth-century fiction simply as a precursor to the nineteenth-century novel, Spacks shows. Instead, the vast variety of engagements with the problems of creating fiction demonstrates that literary history-by no means inexorable-might have taken quite a different course.

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