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O antagonismo entre o herói individual e o protagonista colectivo : o imaginário português através da sua História e da literatura após a Revolução de abril

Author: Ana-Maria Simao SaldanhaBernard EmeryManuel GusmãoChristophe GonzalezRosa Maria MarteloAll authors
Publisher: 2011.
Dissertation: Thèse de doctorat : Etudes luso-brésiliennes : Grenoble : 2011.
Thèse de doctorat : Etudes luso-brésiliennes : Universidade de Lisboa. Faculdade de letras : 2011.
Edition/Format:   Computer file : Document : Thesis/dissertation : Portuguese
Summary:
Avec cette thèse nous prétendons, à travers quelques textes de la culture historique portugaise et du roman portugais, montrer la présence de la confrontation entre les deux régimes de l'imaginaire (diurne et nocturne) décrits par Gilbert Durand dans son œuvre Les structures anthropologiques de l'imaginaire. Nous avons alors vérifié qu'à chacun de ces deux régimes correspond un imaginaire précis. Ainsi,
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Genre/Form: Thèses et écrits académiques
Material Type: Document, Thesis/dissertation
Document Type: Computer File
All Authors / Contributors: Ana-Maria Simao Saldanha; Bernard Emery; Manuel Gusmão; Christophe Gonzalez; Rosa Maria Martelo; François Gramusset; João Luís Lisboa; Université de Grenoble (2009-2014).; Universidade de Lisboa. Faculdade de letras.; École doctorale langues, littératures et sciences humaines (Grenoble).; Institut des langues et des cultures d'Europe et d'Amérique (Grenoble).
OCLC Number: 1155481714
Notes: Thèse soutenue en co-tutelle.
Titre provenant de l'écran-titre.
Description: 1 online resource
Responsibility: Ana-Maria Simao Saldanha ; sous la direction de Bernard Emery et de Manuel Gusmão.

Abstract:

Avec cette thèse nous prétendons, à travers quelques textes de la culture historique portugaise et du roman portugais, montrer la présence de la confrontation entre les deux régimes de l'imaginaire (diurne et nocturne) décrits par Gilbert Durand dans son œuvre Les structures anthropologiques de l'imaginaire. Nous avons alors vérifié qu'à chacun de ces deux régimes correspond un imaginaire précis. Ainsi, chacun des deux imaginaires que nous avons identifiés regroupe des schémas, des archétypes et des symboles de l'un des deux régimes durandiens. Nous avons nommé l'imaginaire qui regroupe des schémas, des archétypes et des symboles du régime diurne « imaginaire du héros individuel » tandis que l'imaginaire qui regroupe des schémas, des archétypes et des symboles du régime nocturne a été qualifié d' « imaginaire du protagoniste collectif ».L'imaginaire du héros individuel est un imaginaire dans lequel le peuple, les masses, se soumettent à l'autorité d'un chef (d'un guide) héroïsé, acceptant la destinée comme une fatalité de l'aventure humaine. A l'inverse, nous considérons que l'imaginaire du protagoniste collectif est un imaginaire qui inverse les schémas et archétypes typiques du régime diurne, en valorisant la féminité et les profondeurs intimes de l'homme dans une attitude dialectique où les masses, se rebellant contre leurs oppresseurs, s'assument comme le sujet historique par excellence. Un nouveau sujet-héros est ainsi née, non plus individuel, mais collectif.Nous considérons ainsi que dans l'Histoire comme dans la Littérature nous trouvons le conflit majeur entre deux imaginaires qui s'opposent. En 1383-1385 et lors des deux Révolutions du XXe siècle (instauration de la République, en 1910, et Révolution des Œillets, en 1974), le héros individuel est supplanté par le protagoniste collectif. Le Roi solaire de Durand n'est plus le dirigeant de la nation puisque le peuple s'assume comme le protagoniste de l'Histoire. L'imaginaire dominé par le mythe sébastianiste et impérialiste, défendu au XVIIe siècle par António Vieira, n'est plus l'imaginaire prédominant, étant donné que l'imaginaire du protagoniste collectif va finalement s'affirmer collectivement.

The aim of this thesis is, through some texts of Portuguese historical culture and from Portuguese novel, to confront the two regimes of the imaginarium (diurnal and nocturnal) described by Gilbert Durant in his work Les structures anthropologiques de l'imaginaire. So, we have verified,, that to each one of the two regimes corresponds oneprecise imaginarium, that is to say, each one of the two imaginaria that we identified assembles schemes, archetypes and symbols of one of the two durandian regimes. We called the imaginarium that assembles schemes, archetypes and symbols of the diurnal regime Imaginaryium of Individual Hero, while the imaginarium that assembles schemes, archetypes and symbols of the nocturnal regime was called Imaginarium of the Collective Protagonist.In the imaginarium of the individual hero the People, the masses, are subjugated to the authority of a leader (guide) looked up as a hero, therefore accepting the destiny as a fatality of the human adventure. We considered, on the contrary, that the imaginarium of the collective protagonist reverses the diurnal regime schemes and typical archetypes, valorizing feminity and the intimate depths of Mankind in a dialectical attitude in which the masses, rebelling against their oppressors, assume themselves as the historical subject. A new hero-subject is (re)born, not individually anymore, but collectively.The novels studied by José Cardoso Pires (Balada da Praia dos Cães and AlexandraAlpha), by José Saramago (Levantado do Chão), by Mário Ventura (Vida e Morte dosSantiago) and by Lídia Jorge (O Dia dos Prodígios) allowed us to confirm the mythological deconstruction of the Portuguese dictatorial period (1926-1974) by these authors. This way we are literally revealed the reality of the oppression and the violence as well as the imaginarium (virile, imperial and heroic) that underlines that reality.The colonial empire - parallel to a situation of unlimited exploitation in the colonies and in Portugal - is attacked in its archetypism, blooming the April Revolution as an imagistic counterpoint to a regime based on the exploitation, fear, violence, oppression, and imposing of submission. The characters depicted in the five novels studied go through the dictatorial years (only the characters of Balada da Praia dos Cães are not acquainted with the Carnation Revolution) to, finally, get in touch with a New World that is born with the 25th of April of 1974.We considered that, both in Literature and in History, we can find the conflict -major between two opposing imaginaria. In 1383-1385 at the time of the two XX century-Revolutions (Instauration of the Republic in 1910, and the April Revolution in 1974), the individual hero is overshadowed by the collective hero. The durandian Solar King is no longer the ruler of a nation, as the people assume themselves as the protagonist of the History. This way the imaginarium controlled by the sebastianist and imperial myth, defended in the XVII century by the priest António Vieira, ceases to be predominant and the collective struggle carried on by the People as the major-protagonist of the History affirms itself imagistically.

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Faculdade de letras : 2011.<\/span>\" ;\u00A0\u00A0\u00A0\nbgn:inSupportOf<\/a> \"Th\u00E8se de doctorat : Etudes luso-br\u00E9siliennes : Grenoble : 2011.<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"1155481714<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/fr<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Topic\/litterature_portugaise<\/a>> ; # Litt\u00E9rature portugaise<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Place\/portugal<\/a>> ; # Portugal<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/940\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Thing\/imaginaire<\/a>> ; # Imaginaire<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Thing\/fascime<\/a>> ; # Fascime<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Thing\/histoire_du_portugal<\/a>> ; # Histoire du Portugal<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Thing\/revolution_des_oeillets<\/a>> ; # R\u00E9volution des \u0152illets<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Thing\/heros_collectif<\/a>> ; # H\u00E9ros collectif<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Topic\/fascisme<\/a>> ; # Fascisme<\/span>\n\u00A0\u00A0\u00A0\nschema:author<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Person\/simao_saldanha_ana_maria_1978<\/a>> ; # Ana-Maria Simao Saldanha<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Organization\/universidade_de_lisboa_faculdade_de_letras<\/a>> ; # Universidade de Lisboa. Faculdade de letras.<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Person\/gusmao_manuel_1945<\/a>> ; # Manuel Gusm\u00E3o<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Person\/gonzalez_christophe_1949<\/a>> ; # Christophe Gonzalez<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Organization\/universite_de_grenoble_2009_2014<\/a>> ; # Universit\u00E9 de Grenoble (2009-2014).<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Person\/martelo_rosa_maria_1959<\/a>> ; # Rosa Maria Martelo<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Organization\/institut_des_langues_et_des_cultures_d_europe_et_d_amerique_grenoble<\/a>> ; # Institut des langues et des cultures d\'Europe et d\'Am\u00E9rique (Grenoble).<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Person\/lisboa_joao_luis_1959<\/a>> ; # Jo\u00E3o Lu\u00EDs Lisboa<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Organization\/ecole_doctorale_langues_litteratures_et_sciences_humaines_grenoble<\/a>> ; # \u00C9cole doctorale langues, litt\u00E9ratures et sciences humaines (Grenoble).<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Person\/gramusset_francois<\/a>> ; # Fran\u00E7ois Gramusset<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Person\/emery_bernard<\/a>> ; # Bernard Emery<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2011<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"The aim of this thesis is, through some texts of Portuguese historical culture and from Portuguese novel, to confront the two regimes of the imaginarium (diurnal and nocturnal) described by Gilbert Durant in his work Les structures anthropologiques de l\'imaginaire. So, we have verified,, that to each one of the two regimes corresponds oneprecise imaginarium, that is to say, each one of the two imaginaria that we identified assembles schemes, archetypes and symbols of one of the two durandian regimes. We called the imaginarium that assembles schemes, archetypes and symbols of the diurnal regime Imaginaryium of Individual Hero, while the imaginarium that assembles schemes, archetypes and symbols of the nocturnal regime was called Imaginarium of the Collective Protagonist.In the imaginarium of the individual hero the People, the masses, are subjugated to the authority of a leader (guide) looked up as a hero, therefore accepting the destiny as a fatality of the human adventure. We considered, on the contrary, that the imaginarium of the collective protagonist reverses the diurnal regime schemes and typical archetypes, valorizing feminity and the intimate depths of Mankind in a dialectical attitude in which the masses, rebelling against their oppressors, assume themselves as the historical subject. A new hero-subject is (re)born, not individually anymore, but collectively.The novels studied by Jos\u00E9 Cardoso Pires (Balada da Praia dos C\u00E3es and AlexandraAlpha), by Jos\u00E9 Saramago (Levantado do Ch\u00E3o), by M\u00E1rio Ventura (Vida e Morte dosSantiago) and by L\u00EDdia Jorge (O Dia dos Prod\u00EDgios) allowed us to confirm the mythological deconstruction of the Portuguese dictatorial period (1926-1974) by these authors. This way we are literally revealed the reality of the oppression and the violence as well as the imaginarium (virile, imperial and heroic) that underlines that reality.The colonial empire - parallel to a situation of unlimited exploitation in the colonies and in Portugal - is attacked in its archetypism, blooming the April Revolution as an imagistic counterpoint to a regime based on the exploitation, fear, violence, oppression, and imposing of submission. The characters depicted in the five novels studied go through the dictatorial years (only the characters of Balada da Praia dos C\u00E3es are not acquainted with the Carnation Revolution) to, finally, get in touch with a New World that is born with the 25th of April of 1974.We considered that, both in Literature and in History, we can find the conflict -major between two opposing imaginaria. In 1383-1385 at the time of the two XX century-Revolutions (Instauration of the Republic in 1910, and the April Revolution in 1974), the individual hero is overshadowed by the collective hero. The durandian Solar King is no longer the ruler of a nation, as the people assume themselves as the protagonist of the History. This way the imaginarium controlled by the sebastianist and imperial myth, defended in the XVII century by the priest Ant\u00F3nio Vieira, ceases to be predominant and the collective struggle carried on by the People as the major-protagonist of the History affirms itself imagistically.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Avec cette th\u00E8se nous pr\u00E9tendons, \u00E0 travers quelques textes de la culture historique portugaise et du roman portugais, montrer la pr\u00E9sence de la confrontation entre les deux r\u00E9gimes de l\'imaginaire (diurne et nocturne) d\u00E9crits par Gilbert Durand dans son \u0153uvre Les structures anthropologiques de l\'imaginaire. Nous avons alors v\u00E9rifi\u00E9 qu\'\u00E0 chacun de ces deux r\u00E9gimes correspond un imaginaire pr\u00E9cis. Ainsi, chacun des deux imaginaires que nous avons identifi\u00E9s regroupe des sch\u00E9mas, des arch\u00E9types et des symboles de l\'un des deux r\u00E9gimes durandiens. Nous avons nomm\u00E9 l\'imaginaire qui regroupe des sch\u00E9mas, des arch\u00E9types et des symboles du r\u00E9gime diurne \u00AB imaginaire du h\u00E9ros individuel \u00BB tandis que l\'imaginaire qui regroupe des sch\u00E9mas, des arch\u00E9types et des symboles du r\u00E9gime nocturne a \u00E9t\u00E9 qualifi\u00E9 d\' \u00AB imaginaire du protagoniste collectif \u00BB.L\'imaginaire du h\u00E9ros individuel est un imaginaire dans lequel le peuple, les masses, se soumettent \u00E0 l\'autorit\u00E9 d\'un chef (d\'un guide) h\u00E9ro\u00EFs\u00E9, acceptant la destin\u00E9e comme une fatalit\u00E9 de l\'aventure humaine. A l\'inverse, nous consid\u00E9rons que l\'imaginaire du protagoniste collectif est un imaginaire qui inverse les sch\u00E9mas et arch\u00E9types typiques du r\u00E9gime diurne, en valorisant la f\u00E9minit\u00E9 et les profondeurs intimes de l\'homme dans une attitude dialectique o\u00F9 les masses, se rebellant contre leurs oppresseurs, s\'assument comme le sujet historique par excellence. Un nouveau sujet-h\u00E9ros est ainsi n\u00E9e, non plus individuel, mais collectif.Nous consid\u00E9rons ainsi que dans l\'Histoire comme dans la Litt\u00E9rature nous trouvons le conflit majeur entre deux imaginaires qui s\'opposent. En 1383-1385 et lors des deux R\u00E9volutions du XXe si\u00E8cle (instauration de la R\u00E9publique, en 1910, et R\u00E9volution des \u0152illets, en 1974), le h\u00E9ros individuel est supplant\u00E9 par le protagoniste collectif. Le Roi solaire de Durand n\'est plus le dirigeant de la nation puisque le peuple s\'assume comme le protagoniste de l\'Histoire. L\'imaginaire domin\u00E9 par le mythe s\u00E9bastianiste et imp\u00E9rialiste, d\u00E9fendu au XVIIe si\u00E8cle par Ant\u00F3nio Vieira, n\'est plus l\'imaginaire pr\u00E9dominant, \u00E9tant donn\u00E9 que l\'imaginaire du protagoniste collectif va finalement s\'affirmer collectivement.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/10235322993<\/a>> ;\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Th\u00E8ses et \u00E9crits acad\u00E9miques<\/span>\" ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"pt<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"O antagonismo entre o her\u00F3i individual e o protagonista colectivo : o imagin\u00E1rio portugu\u00EAs atrav\u00E9s da sua Hist\u00F3ria e da literatura ap\u00F3s a Revolu\u00E7\u00E3o de abril<\/span>\" ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"1155481714<\/span>\" ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/1155481714<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Organization\/institut_des_langues_et_des_cultures_d_europe_et_d_amerique_grenoble<\/a>> # Institut des langues et des cultures d\'Europe et d\'Am\u00E9rique (Grenoble).<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Institut des langues et des cultures d\'Europe et d\'Am\u00E9rique (Grenoble).<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Organization\/universidade_de_lisboa_faculdade_de_letras<\/a>> # Universidade de Lisboa. Faculdade de letras.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Universidade de Lisboa. Faculdade de letras.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Person\/gonzalez_christophe_1949<\/a>> # Christophe Gonzalez<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1949<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Gonzalez<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Christophe<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Christophe Gonzalez<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Person\/gramusset_francois<\/a>> # Fran\u00E7ois Gramusset<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Gramusset<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Fran\u00E7ois<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Fran\u00E7ois Gramusset<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Person\/gusmao_manuel_1945<\/a>> # Manuel Gusm\u00E3o<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1945<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Gusm\u00E3o<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Manuel<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Manuel Gusm\u00E3o<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Person\/lisboa_joao_luis_1959<\/a>> # Jo\u00E3o Lu\u00EDs Lisboa<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1959<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Lisboa<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Jo\u00E3o Lu\u00EDs<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Jo\u00E3o Lu\u00EDs Lisboa<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Person\/martelo_rosa_maria_1959<\/a>> # Rosa Maria Martelo<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1959<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Martelo<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Rosa Maria<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Rosa Maria Martelo<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Person\/simao_saldanha_ana_maria_1978<\/a>> # Ana-Maria Simao Saldanha<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1978<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Simao Saldanha<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Ana-Maria<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Ana-Maria Simao Saldanha<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Place\/portugal<\/a>> # Portugal<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Portugal<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Thing\/fascime<\/a>> # Fascime<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Fascime<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Thing\/heros_collectif<\/a>> # H\u00E9ros collectif<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"H\u00E9ros collectif<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Thing\/histoire_du_portugal<\/a>> # Histoire du Portugal<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Histoire du Portugal<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Thing\/imaginaire<\/a>> # Imaginaire<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Imaginaire<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Thing\/revolution_des_oeillets<\/a>> # R\u00E9volution des \u0152illets<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"R\u00E9volution des \u0152illets<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Topic\/fascisme<\/a>> # Fascisme<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Fascisme<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/10235322993#Topic\/litterature_portugaise<\/a>> # Litt\u00E9rature portugaise<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Litt\u00E9rature portugaise<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/fr<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"fr<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/1155481714<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/1155481714<\/a>> ; # O antagonismo entre o her\u00F3i individual e o protagonista colectivo : o imagin\u00E1rio portugu\u00EAs atrav\u00E9s da sua Hist\u00F3ria e da literatura ap\u00F3s a Revolu\u00E7\u00E3o de abril<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2020-10-07<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Content-negotiable representations<\/p>\n