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Orphan black : performance, gender, biopolitics

Author: Andrea Goulet; Robert A Rushing
Publisher: Bristol, UK ; Chicago, USA : Intellect, 2018.
Edition/Format:   eBook : Document : Elementary and junior high school : EnglishView all editions and formats
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Genre/Form: Electronic books
Drama
Additional Physical Format: Print version:
Orphan black.
Bristol, UK ; Chicago, USA : Intellect, 2018
(OCoLC)1031450164
Material Type: Document, Elementary and junior high school, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Andrea Goulet; Robert A Rushing
ISBN: 9781783209231 1783209232
OCLC Number: 1056952229
Description: 1 online resource (vi, 227 pages) : illustrations
Contents: Title Page; Copyright; Contents; Acknowledgements; Introduction; Intersections; Organization and Contents; Part One: Performance/Technology/Gender; Notes; Part One; Gesture in Orphan Black; Notes; Playing with TechnoDollies: The TV Actress and Other Technologies; The Amount of Acting in Orphan Black; The Labour of Acting; But Whose Labour --
Whose Body?; The Actor Is a Cyborg; Characters Are Cyborgs, Too; The TechnoDolly Is Us; The TechnoDolly Escapes Her Programming; Conclusion; Notes. Animating Cloning: Special Effects and Mediated Bodies in Orphan Black and Jurassic Park; When Clones Meet: Orphan Black and Jurassic Park; Animation, Image Splicing and Cinematic Hybridization; Watching While (Face) Blind: Clone Layering and Prosopagnosia; Will the Real Clone Please Stand Up?; How It's Done; Watching While Face Blind; But in the End ... ; Notes; Part Two: Reproduction/Biopolitics/Community; Game of Clones: Orphan Black's Family Romance; Notes; Orphan Black and the Ideology of DNA; DNA as Depicted in Orphan Black; History of Genetics; The Clones of Orphan Black; Notes. Being Together: Immunity and Community in Orphan Black; Immunity and Community; Immunizing Humanity: Neolution and Its Avatars; (Be)coming Together: 'Sestrahood', Clone Club and Common Immunity; Notes; The Dancing Women: Decoding Biopolitical Fantasy; Introduction; The Dancing Men; Codes and Ciphers; The Dancing Women; Biopolitical Fantasy; Notes; The Replicant's 'Réplique': Motherhood and the Posthuman Family as Resistance in Orphan Black; La Réplique: Truong, Dantec and Orphan Black; Clone Club and the Biopolitics of Adaptation: Malabou and Goh. Afterword: Reflections on the Show, and Interviews with Cast, Crew and Creators; Nurtured vs. Unnurtured; Insides and Outsides; Behind the Camera; Notes; Appendix: Orphan Black Episodes; References; Notes on Contributors; Index.
Responsibility: edited by Andrea Goulet and Robert A. Rushing.

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