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The Oxford handbook of voice perception

Author: Sascha Frühholz; Pascal Belin
Publisher: Oxford : Oxford University Press, 2019. ©2019.
Series: Oxford handbooks.
Edition/Format:   Print book : English : First editionView all editions and formats
Speech perception has been the focus of innumerable studies over the past decades. While our abilities to recognize individuals by their voice state plays a central role in our everyday social interactions, limited scientific attention has been devoted to the perceptual and cerebral mechanisms underlying nonverbal information processing in voices. The Oxford Handbook of Voice Perception takes a comprehensive look at  Read more...

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Genre/Form: Handbooks and manuals
Handbooks, manuals, etc
Document Type: Book
All Authors / Contributors: Sascha Frühholz; Pascal Belin
ISBN: 0198743181 9780198743187
OCLC Number: 1089255013
Description: xxxv, 939 pages : illustrations (some color) ; 26 cm.
Contents: Part I: The Voice is Special1: Sascha Fruhholz and Pascal Belin: The science of voice perception2: Diana Van Lancker Sidtis: Ancient of days: The vocal pattern as primordial big bang of communication3: Pascal Belin: The "Vocal Brain": Core and extended cerebral networks for voice processing4: Klaus Scherer: Acoustic patterning of emotion vocalizations5: Yuanyuan Wang, Derek M. Houston, and Amanda Seidl: Acoustic properties of infant-directed speech6: Johan Sundberg: The singing voice7: Martin Meyer, Matthias Keller, and Nathalie Giroud: Suprasegmental speech prosody and the human brain: The acoustic and vocal features and the evolutionary architecture of the brain8: Jody Kreiman, Bruce Gerratt: Reconsidering the nature of voicePart II: Ontogenetic development of voice perception9: Natacha Paquette, Emmanuelle Dionne-Dostie, Maryse Lassonde and Anne Gallagher: Voice perception in newborns and infants10: Stefan Elmer, Eva Dittinger, and Mireille Besson: One step beyond: musical expertise and word learning11: Evelyne Mercure and Laura Kischkel: Social perception in infancy: An integrative perspective on the development of voice and face perception12: Katherine S. Young, Christine E. Parsons, Alan Stein, Peter Vuust, Michelle G. Craske, and Morten L. Kringelbach: Neural responses to infant vocalisations in adult listenersPart III: Evolution and comparative perspective13: Alan K.S. Nielsen and Drew Rendall: Comparative perspectives on communication in human and nonhuman primates: Grounding meaning in broadly conserved processes of voice production, perception, affect and cognition14: Samantha Carouso Peck and Michael H. Goldstein: Linking vocal learning to social reward in the brain: Proposed neural mechanisms of socially guided song learning15: Catherine Perrodin and Christopher I. Petkov: Voice sensitive regions, neurons and multisensory pathways in the primate brain16: Attila Andics and Tamas Farago: Voice perception across species17: Charles T. Snowdon: Emotional and social communication in nonhuman animals18: Josef P. Rauschecker: Dual stream models of auditory vocal communicationPart IV: Emotional and motivational vocal expression19: Sascha Fruhholz and Leonardo Ceravolo: The neural network underlying the processing of affective vocalizations20: Silke Paulmann and Sonja A. Kotz: The electrophysiology and time-course of processing vocal emotion expressions21: Jocelyne C. Whitehead and Jorge L. Armony: Amygdala processing of vocal emotions22: Kai Alter and Dirk Wildgruber: Laughing out loud! Investigations on different types of laughterPart V: Vocal identity, personality, and the social context23: Tyler K. Perrachione: Recognizing speakers across languages24: Stefan R. Schweinberger and Romi Zaske: Perceiving speaker identity from the voice25: Marianne Latinus and Romi Zaske: Perceptual correlates and cerebral representation of voices-identity, gender, and age26: Phil McAleer and Pascal Belin: The perception of personality traits from voices27: Katarzyna Pisanski and David R. Feinberg: Vocal attractiveness28: Sarah Stevenage: Voice processing: Implications for earwitness testimony29: Benjamin Kreifelts and Thomas Ethofer: Voices in the context of human faces and bodies30: Patricia E.G. Bestelmeyer: Linguistic 'first impressions': Accents as cue to person perceptionPart VI: Machine-based generation and decoding of voices31: Hideki Kawahara and Verena Skuk: Voice morphing32: Alessandro Vinciarelli: Machine-based decoding of voices and human speech33: Maximilian Schmitt and Bjorn Schuller: Machine-based decoding of paralinguistic vocal features34: Bernd J. Kroeger: Neurocomputational models of voice and speech perception35: Keikichi Hirose: Voice and speech synthesis - highlighting control of prosody36: Volker Dellwo, Peter French, and Lei He: Voice biometrics for forensic speaker recognition applicationsPart VII: Clinical disorders37: David I. Leitman and Sarah M. Haigh: Impairments in decoding vocal emotion in schizophrenia and bipolar disorder38: Kristiina Kompus and Kenneth Hugdahl: Perception of voices that do not exist: Neuronal mechanisms in clinical and non-clinical hallucinations39: Claudia Roswandowitz, Corrina Maguinnessa, and Katharina von Kriegstein: Deficits in voice-identity processing: Acquired and developmental phonagnosia40: Jennifer L. Agustus, Julia C. Hailstone, and Jason D. Warren: Voice processing in dementia
Series Title: Oxford handbooks.
Other Titles: Handbook of voice perception
Voice perception
Responsibility: edited by Sascha Frühholz and Pascal Belin.


The Oxford Handbook of Voice Perception gathers in forty chapters the most exciting research from several disciplines related to voice perception. In particular, it draws attention to what has not  Read more...


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