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Painted pottery of Honduras : object lives and itineraries

Author: Rosemary A Joyce
Publisher: Leiden ; Boston : Brill, 2017.
Series: Early Americas, v. 6.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
In 'Painted Pottery of Honduras, ' Rosemary Joyce describes the development of the Ulua Polychrome tradition in Honduras from the fifth to sixteenth centuries AD and critically examines archaeological research on these objects that began in the nineteenth century. Previously treated as a marginal product of Classic Maya society, this study shows that Ulua Polychromes are products of the ritual and social life of  Read more...
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Details

Genre/Form: Electronic books
History
Additional Physical Format: Print version:
Joyce, Rosemary A., 1956-
Painted pottery of Honduras.
Leiden ; Boston : Brill, 2017
(DLC) 2017032433
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Rosemary A Joyce
ISBN: 9789004341500 9004341501
OCLC Number: 1002925254
Description: 1 online resource.
Contents: Part I. Using pots --
Forming intentions --
Feasting families --
Telling stories --
Honoring ancestors --
Burying pots --
Part II. Understanding fragments --
Collecting pots --
Making time --
Finding places --
Tracing boundaries --
Picturing meaning --
Epilogue.
Series Title: Early Americas, v. 6.
Responsibility: by Rosemary A. Joyce.

Abstract:

In 'Painted Pottery of Honduras, ' Rosemary Joyce describes the development of the Ulua Polychrome tradition in Honduras from the fifth to sixteenth centuries AD and critically examines archaeological research on these objects that began in the nineteenth century. Previously treated as a marginal product of Classic Maya society, this study shows that Ulua Polychromes are products of the ritual and social life of indigenous societies composed of wealthy farmers engaged in long-distance relationships extending from Costa Rica to Mexico. Drawing on concepts of agency, practice, and intention, Rosemary Joyce takes a potter's perspective and develops a generational workshop model for innovation by communities of practice who made and used painted pottery in serving meals and locally meaningful ritual practices.

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