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Pastoral transformations : Italian tragicomedy and Shakespeare's late plays

Author: Robert Henke
Publisher: Newark : University of Delaware Press : London : Associated University Presses, 1997.
Edition/Format:   eBook : Document : State or province government publication : EnglishView all editions and formats
Summary:
Pastoral Transformations examines the dramaturgy of Shakespeare's Cymbeline, The Winter's Tale, and The Tempest in the context of sixteenth-century Italian tragicomedy. The book examines the theory and practice of Giraldi, Tasso, and Gurini, as well as experiments of the commedia dell'arte. The author demonstrates the presence of independent yet parallel historical and dramaturgical developments in the Italian and  Read more...
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Details

Genre/Form: Tragicomedies
Criticism, interpretation, etc
Additional Physical Format: Online version:
Henke, Robert, 1955-
Pastoral transformations.
Newark : University of Delaware Press ; London : Associated University Presses, 1997
(OCoLC)643844171
Named Person: William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare
Material Type: Document, Government publication, State or province government publication, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Robert Henke
OCLC Number: 1194905054
Reproduction Notes: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description: 1 online resource (239 pages)
Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contents: Italian-English transmissions and English contexts --
Theory and practice in the Cinquecento --
Pastoral as tragicomedic --
The tragicomedic satyr --
"Gentleman-like tears": tragicomedy and affective response --
Place, genre, and "horizons of expectation" --
Modal dialogues --
Social negotiations --
Low comedy.
Responsibility: Robert Henke.

Abstract:

Pastoral Transformations examines the dramaturgy of Shakespeare's Cymbeline, The Winter's Tale, and The Tempest in the context of sixteenth-century Italian tragicomedy. The book examines the theory and practice of Giraldi, Tasso, and Gurini, as well as experiments of the commedia dell'arte. The author demonstrates the presence of independent yet parallel historical and dramaturgical developments in the Italian and Shakespearean theaters.

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