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E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/1119643703 Title: Performativity, Cultural Construction, and the Graphic Narrative Author: Leigh Anne Howard; Susanna Hoeness-Krupsaw Publisher: Abingdon, Oxon ; New York, NY : Routledge, 2020. ©2020 ISBN/ISSN: 9780429266157 0429266154 9780429556654 0429556659 9780429565595 0429565593 9780429561122 0429561121 OCLC:1119643703

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Performativity, Cultural Construction, and the Graphic Narrative

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Performativity, Cultural Construction, and the Graphic Narrative

Author:	Leigh Anne Howard; Susanna Hoeness-Krupsaw
Publisher:	Abingdon, Oxon ; New York, NY : Routledge, 2020. ©2020
Series:	Routledge advances in comics studies.
Edition/Format:	eBook : Document : English
Rating:	(not yet rated) 0 with reviews - Be the first.
Subjects	Graphic novels -- History and criticism. Performative (Philosophy) Graphic novels -- Social aspects. View all subjects
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Genre/Form:	Electronic books Criticism, interpretation, etc
Additional Physical Format:	Print version: Howard, Leigh Anne. Performativity, Cultural Construction, and the Graphic Novel. Milton : Routledge, ©2019
Material Type:	Document, Internet resource
Document Type:	Internet Resource, Computer File
All Authors / Contributors:	Leigh Anne Howard; Susanna Hoeness-Krupsaw Find more information about:
ISBN:	9780429266157 0429266154 9780429556654 0429556659 9780429565595 0429565593 9780429561122 0429561121
OCLC Number:	1119643703
Notes:	Includes index.
Description:	1 online resource (281 pages)
Contents:	Cover; Half Title; Series Page; Title Page; Copyright Page; Contents; List of figures and table; List of contributors; Acknowledgments; 1 Introduction, or transformations and the performance of text and image; PART I: Mimesis: imitating and illustrating; 2 "Did you kill anyone?": the pathography of PTSD in The White Donkey; 3 I don't have any ancestors, OK? Let's just drop it: Miss America and (Pan)Latinx representation in Marvel's America; 4 Space, conflict, and memory in Shaft: A Complicated Man; 5 Illustrating mental illness and engaging empathy through graphic memoir PART II: Poiesis: making and constructing6 Mapping the nation and reimagining home in Vietnamese American graphic narratives; 7 "Real men don't smash little girls": inter-hero violence, families, masculinity, and contemporary superheroes; 8 Graphic performances in Octavia Butler's Kindred; 9 Austen's audience(s) and the perils of adaptation; PART III: Kinesis: breaking and remaking; 10 Graphical, radical women: revising boundaries, re(image)ining Écriture Feminine in the novels of Bechdel and Satrapi 11 Bridging the gutter: cultural construction of gender sensitivity in select Indian graphic narratives after Nirbhaya12 "There Are No Monsters Like Us": gothic horror, lesbianism, and the female body in Marguerite Bennett and Ariela Kristantina's InSEXts; 13 (De)Forging Canadian identity in Michael DeForge's Sticks Angelica, Folk Hero; 14 A killer rhetoric of alternatives: re/framing monstrosity in My Friend Dahmer; 15 The contextualization of the Palestinian experience in Joe Sacco's Comics Journalism; Index
Series Title:	Routledge advances in comics studies.
Responsibility:	edited by Leigh Anne Howard and Susanna Hoeness-Krupsaw.

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