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Philosophy and film : bridging divides

Author: Christina Rawls; Diana Neiva; Steven S Gouveia
Publisher: New York, NY : Routledge, 2019. ©2019
Series: Routledge research in aesthetics.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
This volume collects twenty original essays on the philosophy of film. It uniquely brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy. The book includes contributions from a number of prominent philosophers of film including Noël Carroll, Chris Falzon, Deborah Knight, Paisley Livingston, Robert Sinnerbrink,  Read more...
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Genre/Form: Electronic books
Additional Physical Format: (OCoLC)1089899680
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Christina Rawls; Diana Neiva; Steven S Gouveia
ISBN: 9780429435157 0429435150 1138351695 1138351695 9781138351691 1138351695 9780429787140 0429787146
OCLC Number: 1099466253
Description: 1 online resource (x, 390 pages).
Contents: Preface Thomas E. Wartenberg Part I: The Nature of Film Chapter 1: (Collapsed) Seeing-In and the (Im-)Possibility of Progress in Analytic Philosophy (of Film) Malcolm Turvey Chapter 2: The World Viewed and the World Lived: Stanley Cavell and Film as the Moving Image of Skepticism Jônadas Techio Chapter 3: The Morph-Image: Four Forms of Post-Cinema Steen Ledet Christiansen Chapter 4: Deleuze's Cronosigns Susana Viegas Part II: The Film as Philosophy Debate Chapter 5: The Bold Thesis Retired: On Cinema as Philosophy Paisley Livingston Chapter 6: Film as Philosophical Thought Experiment: Some Challenges and Opportunities Tom McClelland Chapter 7: Are there Definite Objections to Film as Philosophy? Metaphilosophical considerations Diana Neiva Chapter 8: Philosophical Dimensions of Cinematic Experience David Davies Part III: The Philosophical Value of Film Chapter 9: Philosophical Experience and Experimental Film Christopher Falzon Chapter 10: Filmmaking as self-writing: Federico Fellini's 8½ (1963) Roberto Mordacci Chapter 11: Film and Ethics Robert Sinnerbrink Part IV: Cinematic Experience Chapter 12: Movies, Narration and the Emotions Noël Carroll Chapter 13: Predictive Processing and the Experimental Solution for the Paradox of Fiction Dina Mendonça Chapter 14: The lived experience of Motion Pictures: A Phenomenological Approach to Cinema Hanna Trindade Part V: Interpreting Cinematic Works Chapter 15: The Blade Runner Question: From Philosophy to Myth Deborah Knight Chapter 16: Race, Bodies and Lived Realities in Get Out and Black Panther Mary K. Bloodsworth-Lugo Chapter 17: Transnational Bio-Political Motives in Postmodern Cinema: éZiézek and Badiou on Udi Aloni's Forgiveness and Local Angel Oana Serban Part VI: Further Debates Chapter 18: Cinema and Television: The Art and Industry of Joint Works Inês Rebanda Coelho Chapter 19: Towards a Natural Screen Philosophy Hunter Vaughn Chapter 20: Time-Travel Philosophies: From Cinematic Application to Refraction John Ó Maoilearca
Series Title: Routledge research in aesthetics.
Responsibility: edited by Christina Rawls, Diana Neiva and Steven S. Gouveia.

Abstract:

This volume collects twenty original essays on the philosophy of film. It uniquely brings together scholars working across a range of philosophical traditions and academic disciplines to broaden and advance debates on film and philosophy. The book includes contributions from a number of prominent philosophers of film including Noël Carroll, Chris Falzon, Deborah Knight, Paisley Livingston, Robert Sinnerbrink, Malcolm Turvey, and Thomas Wartenberg. While the topics explored by the contributors are diverse, there are a number of thematic threads that connect them. Overall, the book seeks to bridge analytic and continental approaches to philosophy of film in fruitful ways. Moving to the individual essays, the first two sections offer novel takes on the philosophical value and the nature of film. The next section focuses on the film-as-philosophy debate. Section IV covers cinematic experience, while Section V includes interpretations of individual films that touch on questions of artificial intelligence, race and film, and cinema's biopolitical potential. Finally, the last section proposes new avenues for future research on the moving image beyond film. This book will appeal to a broad range of scholars working in film studies, theory, and philosophy.

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