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Pioneers of ethnomusicology

Author: Mervyn McLean
Publisher: Coral Springs, FL : Llumina Press, ©2006.
Edition/Format:   eBook : Document : Biography : EnglishView all editions and formats
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Genre/Form: Biography
Biographies
Additional Physical Format: Print version:
McLean, Mervyn.
Pioneers of ethnomusicology.
Coral Springs, FL : Llumina Press, ©2006
(OCoLC)71891746
Material Type: Biography, Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Mervyn McLean
OCLC Number: 681472292
Reproduction Notes: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description: 1 online resource (424 pages) : portraits
Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contents: The growth of the discipline --
Philosophical underpinnings: World view ; Nationalism ; The rise of science ; Evolution ; The idea of progress --
Antecedents: Françoise Joseph Fétis --
Organology --
Schools of music --
The seminal eighties --
The Austro-German schools: Development of the Berlin Phonogram-Archiv ; Dispersal of Hornbostel's Berlin group ; The Vienna school ; Methods of the Austro-German schools, from simple to complex, the stone in the pond ; The quest for origins, The Darwin hypothesis, Darwin on natural selection ; Other theories of origin ; The contemporary ancestor, The genesis of the idea --
The American school: The earliest pioneers ; George Herzog ; Curt Sachs ; Charles Seeger --
International societies --
The middle years in America: Jaap Kunst ; The waning influence of Europe ; The UCLA/Indiana divide, Mantle Hood Bi musicality, Alan P. Merriam music in culture --
New directions: Writings on the wall ; Remodelling ethnomusicology? : Earlier work ; Analysis ; Product and process ; Theory building ; Other disciplines ; Comparison ; The crisis of representation ; John Blacking, The holistic approach ; Whither ethnomusicology? --
Paradigms past and present. The subject divisions: Folk music, definition ; European folk song ; Anglo-American folk song, early collectors of English folk song, Cecil Sharp, Frank Kidson, Later collectors, A.L. Lloyd ; Scholarship in America --
Oriental music --
Tribal music: The Americas, Africa, Oceania --
The biographies: The role of the individual ; Personal qualities ; Disciplinary background --
Intellectual ancestry charts: Berlin school, Vienna school, American school --
Issues: Field work, Insider/outsider relations ; Authenticity ; The role of the observer ; Instruction ; Bi-musicality --
Archiving and documentation: Archiving ; cataloguing, classification ; Armchair ethnomusicology ; Bibliography --
Transcription: Prescriptive v. descriptive notation, Conceptual notation, The case for literacy, Composite transcription ; Intonation ; Machine transcription, the limits of perception ; Reliability of transcription --
Analysis: Aesthetics ; Methods of analysis, Standard analysis, Cantometrics, Kolinski, Linguistic approaches ; Text/music relationships ; Statistics ; Music and communication ; Music structure v. social structure, Perspectives from Oceania, Feld and the muni bird, Structural terminolgy, The case for independence ; Music system analysis. Comparison: Music areas ; Diffusion ; Cantometics ; Universals --
Product and process: Repertoire ; Mechanisms of change ; The role of the subliminal ; Merriam's feedback model ; Anthropology v. music --
Aftermath: UCLA v. Indiana ; Popular music ; Models ; Leaps of logic ; Split brains.
Responsibility: Mervyn McLean.

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