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Plotted, shot, and painted : cultural representations of biblical women

Author: J Cheryl Exum
Publisher: Sheffield, Eng. : Sheffield Academic Press, ©1996.
Series: Journal for the study of the Old Testament., Supplement series ;, 215.; Gender, culture, theory, 3.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
... Introduces the reader to an extraordinarily rich variety of critical experiences, which far transcends the limitations of conventional biblical scholarship' (Prooftexts). This provocative collection of essays begins where Exum's earlier literary-feminist study, Fragmented Women, left off: with the questioning of the androcentric bias of the biblical text and with the aim of subverting its patriarchal  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Exum, J. Cheryl.
Plotted, shot, and painted.
Sheffield, Eng. : Sheffield Academic Press, ©1996
(DLC) 97100777
(OCoLC)36220021
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: J Cheryl Exum
ISBN: 9780567234292 0567234290
OCLC Number: 283798077
Reproduction Notes: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description: 1 online resource (260 pages) : illustrations.
Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contents: Preface; List of Figures; Chapter 1 BATHSHEBA PLOTTED, SHOT, AND PAINTED; Chapter 2 MICHAL AT THE WINDOW, MlCHAL IN THE MOVIES; Chapter 3 THE HAND THAT ROCKS THE CRADLE; Chapter 4 PROPHETIC PORNOGRAPHY; Chapter 5 IS THIS NAOMI?; Chapter 6 WHY, WHY, WHY, DELILAH?; Bibliography; Index of References; Index of Authors.
Series Title: Journal for the study of the Old Testament., Supplement series ;, 215.; Gender, culture, theory, 3.
Responsibility: J. Cheryl Exum.

Abstract:

... Introduces the reader to an extraordinarily rich variety of critical experiences, which far transcends the limitations of conventional biblical scholarship' (Prooftexts). This provocative collection of essays begins where Exum's earlier literary-feminist study, Fragmented Women, left off: with the questioning of the androcentric bias of the biblical text and with the aim of subverting its patriarchal perspective. It moves on to stake out new territory for feminist biblical criticism by considering what happens to biblical women in popular culture, in art, and in film and by foregrounding q.

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