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The politics of farce in contemporary Spanish American theatre

Author: Priscilla Meléndez
Publisher: Chapel Hill [N.C.] : North Carolina Studies in the Romance Languages and Literatures, U.N.C. Dept. of Romance Languages, 2006.
Series: North Carolina studies in the Romance languages and literatures, no. 282.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:

Underscores the tendency of Spanish American farce for self-parody, its capacity to uncover and also carry out a critique of their nations' artistic, social, and political rituals. This study of the  Read more...

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Genre/Form: Criticism, interpretation, etc
Electronic books
Additional Physical Format: Print version:
Meléndez, Priscilla.
Politics of farce in contemporary Spanish American theatre.
Chapel Hill [N.C.] : North Carolina Studies in the Romance Languages and Literatures, U.N.C. Dept. of Romance Languages, 2006
(DLC) 2006040059
(OCoLC)64208368
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Priscilla Meléndez
ISBN: 9781469639291 1469639297
OCLC Number: 1037946571
Reproduction Notes: Electronic reproduction. [S.l.] : HathiTrust Digital Library, 2010. MiAaHDL
Description: 1 online resource (227 pages)
Details: Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
Contents: José Triana's Revolico en el campo de marte : face and Cuba's revolutionary history --
(In)decency and (dis)pleasure : women and farce in Sabina Berman's El suplicio del placer --
Transcription, transgression and power in Vegas Llosa's Kathie y el hipopótamo --
Popular culture and classical traditions : face and incest in Quíntuples by Luis Rafael Sánchez.
Series Title: North Carolina studies in the Romance languages and literatures, no. 282.
Responsibility: by Priscilla Meléndez.
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