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A portrait in four movements : the Chicago Symphony under Barenboim, Boulez, Haitink, and Muti Preview this item
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A portrait in four movements : the Chicago Symphony under Barenboim, Boulez, Haitink, and Muti

Author: Andrew Patner; John R Schmidt; Douglas W Shadle; Alex Ross
Publisher: Chicago ; London : The University of Chicago Press, 2019. ©2019
Edition/Format:   Print book : Biography : EnglishView all editions and formats
Summary:
"Playing in an orchestra in an intelligent way is the best school for democracy."--Daniel Barenboim. The Chicago Symphony Orchestra has been led by a storied group of conductors. And from 1994 to 2015, through the best work of Daniel Barenboim, Pierre Boulez, Bernard Haitink, and Riccardo Muti, Andrew Patner was right there. As music critic for the Chicago Sun-Times and WFMT radio, Patner was able to trace the arc  Read more...
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Genre/Form: History
Interviews
Named Person: Daniel Barenboim; Pierre Boulez; Bernard Haitink; Riccardo Muti; Daniel Barenboim; Pierre Boulez; Bernard Haitink; Riccardo Muti
Material Type: Biography
Document Type: Book
All Authors / Contributors: Andrew Patner; John R Schmidt; Douglas W Shadle; Alex Ross
ISBN: 9780226609911 022660991X
OCLC Number: 1051669891
Description: xvi, 255 pages : illustrations ; 24 cm
Contents: Introduction : the first century: a sketch / Douglas W. Shadle --
Daniel Barenoim (1991-2006) --
Pierre Boulez (1991-2010) --
Bernard Haitink (2006-2010) --
Riccardo Muti (2010-)
Other Titles: Portrait in 4 movements
Responsibility: Andrew Patner ; edited by John R. Schmidt and Douglas W. Shadle ; with a foreword by Alex Ross.

Abstract:

"Playing in an orchestra in an intelligent way is the best school for democracy."--Daniel Barenboim. The Chicago Symphony Orchestra has been led by a storied group of conductors. And from 1994 to 2015, through the best work of Daniel Barenboim, Pierre Boulez, Bernard Haitink, and Riccardo Muti, Andrew Patner was right there. As music critic for the Chicago Sun-Times and WFMT radio, Patner was able to trace the arc of the CSO's changing repertories, all while cultivating a deep rapport with its four principal conductors. This book assembles Patner's reviews of the concerts given by the CSO during this time, as well as transcripts of his remarkable radio interviews with these colossal figures. These pages hold tidbits for the curious, such as Patner's "driving survey" that playfully ranks the Maestri he knew on a scale of "total comfort" to "fright level five," and the observation that Muti appears to be a southpaw on the baseball field. Moving easily between registers, they also open revealing windows onto the sometimes difficult pasts that brought these conductors to music in the first place, including Boulez's and Haitink's heartbreaking experiences of Nazi occupation in their native countries as children. Throughout, these reviews and interviews are threaded together with insights about the power of music and the techniques behind it--from the conductors' varied approaches to research, preparing scores, and interacting with other musicians, to how the sound and personality of the orchestra evolved over time, to the ways that we can all learn to listen better and hear more in the music we love. Featuring a foreword by fellow critic Alex Ross on the ethos and humor that informed Patner's writing, as well as an introduction and extensive historical commentary by musicologist Douglas W. Shadle, this book offers a rich portrait of the musical life of Chicago through the eyes and ears of one of its most beloved critics.

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"Andrew Patner was an extraordinarily well-informed music critic and one who wore his immense learning with genuine grace. One learned from him about music and music making rather than about the Read more...

 
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As music critic for the Chicago Sun-Times and WFMT radio, Patner was able to trace the arc of the CSO\'s changing repertories, all while cultivating a deep rapport with its four principal conductors. This book assembles Patner\'s reviews of the concerts given by the CSO during this time, as well as transcripts of his remarkable radio interviews with these colossal figures. These pages hold tidbits for the curious, such as Patner\'s \"driving survey\" that playfully ranks the Maestri he knew on a scale of \"total comfort\" to \"fright level five,\" and the observation that Muti appears to be a southpaw on the baseball field. Moving easily between registers, they also open revealing windows onto the sometimes difficult pasts that brought these conductors to music in the first place, including Boulez\'s and Haitink\'s heartbreaking experiences of Nazi occupation in their native countries as children. 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