The production of culture : media and the urban arts (eBook, 1992) [WorldCat.org]
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The production of culture : media and the urban arts

Author: Diana Crane
Publisher: Newbury Park, Calif. : Sage Publications, ©1992.
Series: Feminist Perspective on Communication.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is  Read more...
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Details

Genre/Form: Electronic books
Material Type: Document
Document Type: Book, Computer File
All Authors / Contributors: Diana Crane
ISBN: 1483325695 9781483325699 1452245908 9781452245904
OCLC Number: 1059095269
Notes: About the Author.
Target Audience: Specialized.
Description: 1 online resource (211 pages).
Contents: Cover; Contents; Series Editor's Introduction; Preface; Chapter 1 --
Introduction; Chapter 2 --
The Media Culture Paradigm; Chapter 3 --
Social Stratification and the Media: Audiences in Media-Saturated Societies; Chapter 4 --
The Production of Culture in National Culture Industries; Chapter 5 --
Approaches to the Analysis of Meaning in Media Culture; Chapter 6 --
Class Cultures in the City: Culture Organizations and Urban Arts Culture; Chapter 7 --
Media Culture, Urban Arts Culture, and Government Policy; Chapter 8 --
Conclusion: Toward Global Culture; References; Name Index; Subject Index.
Series Title: Feminist Perspective on Communication.
Responsibility: Diana Crane.

Abstract:

The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry.

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