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Pulsions urbaines, 1962-2017 : l'Amérique latine en mouvement : collection Leticia et Stanislas Poniatowski

Author: Alexis Fabry; María Wills Londoño; Olivier Andreotti; Gregory Dechant; Espace Van Gogh (Arles, France),
Publisher: Paris : Toluca Éditions, [2017]
Edition/Format:   Print book : FrenchView all editions and formats
Summary:
"Les travaux de plus de 125 photographes et artistes, originaires d'Argentine, du Brésil, du Chili, de Colombie, de Cuba, d'Equateur, du Mexique, du Pérou et du Venezuela, expriment les contradictions d'un continent qui dans sa condition hybride, se débat entre le préhispanique, le postcolonial et la société capitaliste qui a implacablement envahi les processus de consolidation des villes. Au fil des chapitres  Read more...
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Details

Genre/Form: Exhibition catalogs
Exhibition, pictorial works
Illustrated works
Exhibitions
Pictorial works Exhibitions
Named Person: Leticia Poniatowski; Stanislas Poniatowski; Leticia Poniatowski; Stanislas Poniatowski
Document Type: Book
All Authors / Contributors: Alexis Fabry; María Wills Londoño; Olivier Andreotti; Gregory Dechant; Espace Van Gogh (Arles, France),
ISBN: 9782952244299 2952244294
OCLC Number: 1004456958
Language Note: French and English.
Description: 525 pages : chiefly illustrations (chiefly color) ; 31 cm
Contents: Ouvert la nuit = Open at night --
Murs vivants = Living walls --
Identités = Identities --
Couleurs populaires = Local colors --
Ici et là = Here and there --
Cris = Shouts --
I want to be me --
Géométries urbaines = Urban geometries --
Les damnés = The damned --
Biografies --
English version.
Other Titles: Amérique latine en mouvement :
Collection Leticia et Stanislas Poniatowski
Responsibility: commissariat, Alexis Fabry et María Wills ; edition, Olivier Andreotti et Alexis Fabry ; traduction français-anglais, Gregory Dechant.

Abstract:

"Les travaux de plus de 125 photographes et artistes, originaires d'Argentine, du Brésil, du Chili, de Colombie, de Cuba, d'Equateur, du Mexique, du Pérou et du Venezuela, expriment les contradictions d'un continent qui dans sa condition hybride, se débat entre le préhispanique, le postcolonial et la société capitaliste qui a implacablement envahi les processus de consolidation des villes. Au fil des chapitres s'enchaînent les imaginaires de la transition urbaine, où ruraux et citadins rêvent la métropole.0"Cris" et "Les damnés" montrent le plus douloureux. "Ouvert la nuit", "I want to be me" et "Couleurs Populaires" expriment l'ethos latino, parfois stéréotypé, de la rumba, du tumulte, des couleurs, et cette capacité festive au coeur de la tragédie. L'architecture, des ruines au béton, raconte l'expansion des villes latino-américaines, sur ses "Murs vivants", dans ses "Géométries urbaines", où se mêlent modernisme, vernaculaire et kitsch."--Cover page 4.

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Linked Data


Primary Entity

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