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Chapter One: Introduction Chapter Two: The Spinster and the Hijra: How Queers Save Heterosexual Marriage in Wilkie Collins's The Woman in White and The Moonstone Chapter Three: Escaping Heteronormativity: Queer Family Structures in Elizabeth Gaskell's Lois the Witch and 'The Grey Woman' Chapter Four: Disintegrating Binaries, Disintegrating Bodies: Queer Imperial Transmogrifications in H. Rider Haggard's She Chapter Five: '"One Does Things Abroad That One Would Not Dream Of Doing In England"': Miscegenation and Queer Female Vampirism in J. Sheridan Le Fanu's Carmilla and Florence Marryat's The Blood of the Vampire Chapter Six: In Defense of Her Queer Community: Vernon Lee's Coded Decadent Gothic

This book explores the intersections of Gothic, cultural, gender, queer, socio-economic and postcolonial theories in nineteenth-century British representations of sexuality, gender, class and race.

Queer Others in Victorian Gothic: Transgressing Monstrosity (Gothic Literary Studies)