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Named Person: | Pierre Boulez |
---|---|
Document Type: | Book |
All Authors / Contributors: |
Georgina Born |
ISBN: | 0520085078 9780520085077 0520202163 9780520202160 |
OCLC Number: | 701803589 |
Notes: | Date from printing details, copyright date from title page verso. New ISBN assigned for printing by Lightning Source (on-demand printer). |
Description: | xv, 390 pages : illustrations ; 23 cm |
Contents: | Acknowledgments Introduction I. Themes and Debates 2. Prehistory: Modernism, Postmodernism, and Music 3* Background: IRCAM's Conditions of Existence 4* The Institution of IRCAM: Culture and Status 5. Power, Institutional Conflict, Politics 6. Music: Uncertainty, the Canon, and Dissident Musics 7. Science, Technology, the Music Research Vanguard 8. A Composer's Visit: Mediations and Practices 9* Aporias: Technological and Social Problems around Production IO. Subjectivities: Difference and Fragmentation II. Conclusions: IRCAM, Cultural Power, and the Reproduction of Aesthetic Modernism Appendix: IRCAM Workers and Visitors as Introduced in the Text, by Acronym Glossary of terms and acronyms in the text Notes General Bibliography Bibliography of Music-Related References Index |
Responsibility: | Georgina Born. |
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