Your list has reached the maximum number of items. Please create a new list with a new name; move some items to a new or existing list; or delete some items.
Your request to send this item has been completed.
Note: Citations are based on reference standards. However, formatting rules can vary widely between applications and fields of interest or study. The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied.
Your list has reached the maximum number of items. Please create a new list with a new name; move some items to a new or existing list; or delete some items.
Understanding the Bible as an account of the unfolding revelation of God to humankind through history, Roland Mushat Frye suggests that the many sub-plots, monologues, and reflections of the Bible compose a coherent story that continues through both the Old and New Testaments. "The convictions of the Bible, to be sure, are the convictions of religion and ethics," he writes, "but the methods are the methods of literature." Carefully arranging a selection of excerpts that comprise approximately one-fourth of the entire Bible, he enables the reader to follow chronologically the main narrative as well as the most significant asides. With introductory and explanatory material providing transition and background information, the reader progresses from book to book as from chapter to chapter in a novel. Thus, this is called The Reader's Bible because it may be read as a narrative, as a story that unifies consecutive events through which the character of God gradually unfolds. God first appears in the opening of Genesis with the creation of the universe; against this backdrop the human drama is played. We see Everyman and Everywoman endowed with a life in harmony as long as they accept the primacy of God. When they repudiate this primacy, chaos replaces harmony and they find themselves in a wilderness rather than in a garden. God then turns from the attempt to create a righteous and peaceful order for all of humanity to a concentration on one segment of humanity-the race of Abraham--for the development of a conception of human personality and community that may serve as a pattern for all human beings. Professor Frye writes that however miraculous the entrances of God upon the stage may appear to be, they do constitute entrances into ordinary human affairs. These encounters Invite us to look both within and beyond them to what they reveal about God and about ourselves. Concerned with the matter of living here and hereafter, the different biblical histories and stories are brought together to provide cumulative insight into human nature and destiny.Read more...
Frontmatter --
Preface --
Preface to the Princeton Paperback Edition --
Contents --
Introduction: The Bible as Literature --
Suggestions for Further Reading --
Chronological Outline of Major Periods and Events --
SELECTIONS FROM THE OLD TESTAMENT --
From Eden to Egypt: Genesis --
The Epic of Moses: Exodus, Leviticus, Numbers, Deuteronomy --
Conquest and Chaos: Joshua, Judges, Ruth --
The Epic of David: First and Second Samuel, First Kings --
The Age of Kings: First and Second Kings --
The Age of Prophets: Second Kings and the Prophets --
Exile and Return: The Prophets and Nehemiah --
Various Writings --
The Greatest Prophet: Isaiah 40-55 --
SELECTIONS FROM THE N E W TESTAMENT --
Narratives: Luke, John, Acts --
Epistles: Romans, First Corinthians, Philippians, Galatians, James, Hebrews --
The End: Revelation
edited with an introd. and notes by Roland Mushat Frye.
Abstract:
Understanding the Bible as an account of the unfolding revelation of God to humankind through history, Roland Mushat Frye suggests that the many sub-plots, monologues, and reflections of the Bible compose a coherent story that continues through both the Old and New Testaments. "The convictions of the Bible, to be sure, are the convictions of religion and ethics," he writes, "but the methods are the methods of literature." Carefully arranging a selection of excerpts that comprise approximately one-fourth of the entire Bible, he enables the reader to follow chronologically the main narrative as well as the most significant asides. With introductory and explanatory material providing transition and background information, the reader progresses from book to book as from chapter to chapter in a novel. Thus, this is called The Reader's Bible because it may be read as a narrative, as a story that unifies consecutive events through which the character of God gradually unfolds. God first appears in the opening of Genesis with the creation of the universe; against this backdrop the human drama is played. We see Everyman and Everywoman endowed with a life in harmony as long as they accept the primacy of God. When they repudiate this primacy, chaos replaces harmony and they find themselves in a wilderness rather than in a garden. God then turns from the attempt to create a righteous and peaceful order for all of humanity to a concentration on one segment of humanity-the race of Abraham--for the development of a conception of human personality and community that may serve as a pattern for all human beings. Professor Frye writes that however miraculous the entrances of God upon the stage may appear to be, they do constitute entrances into ordinary human affairs. These encounters Invite us to look both within and beyond them to what they reveal about God and about ourselves. Concerned with the matter of living here and hereafter, the different biblical histories and stories are brought together to provide cumulative insight into human nature and destiny.
Reviews
User-contributed reviews
Add a review and share your thoughts with other readers.Be the first.
Add a review and share your thoughts with other readers.Be the first.
Tags
Add tags for "The reader's Bible, a narrative : selections from the King James Version".Be the first.
Show all links
Finding libraries that hold this item...
Cite/Export
eBook : Document : EnglishView all editions and formats
