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Real sex films : the new intimacy and risk in cinema

Author: John Tulloch; Belinda Middleweek
Publisher: New York, NY : Oxford University Press, [2017]
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
Real Sex Films explores one of the most controversial movements in international cinema through an innovative interdisciplinary combination of theories of globalization and embodiment. Risk sociology, feminist film theory, and critical feminist mapping theory are brought together with concepts of production, narrative, genre, authorship, stardom, spectatorship, and social audience as several lenses of understanding  Read more...
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Additional Physical Format: Online version:
Tulloch, John.
Real sex films.
New York, NY : Oxford University Press, [2017]
(DLC) 2017019125
Document Type: Book
All Authors / Contributors: John Tulloch; Belinda Middleweek
ISBN: 9780190244606 0190244607 9780190244613 0190244615
OCLC Number: 980496295
Description: xxxii, 337 pages : illustrations ; 24 cm
Contents: Introduction --
1. Intimacy : the Film --
2. The transformation of intimacy : sexuality and risk in modernity --
3. Intimacy and romance in film theory --
4 (Part 1). "Intimacy is what hurts when it's gone" : approaching social audience analysis --
4 (Part 2). "A man didn't make this film alone" : intertextual dialogue --
5. Brutal intimacy : French corporeal cinema --
6. "Desperate for intimacy" : loneliness and fun in 9 songs and Shortbus --
7. Intimate pleasures and the madness of love : narrative in Ken Park and Irréversible --
8. Actors and sexual intimacies : trust, mistrust, and the double standards of love --
9. Intimacies and addictions in Le secret --
10. Beyond high theories of intimacy : authorship, performance, and "obscenity" in The piano teacher --
11. Desire, intimacy, transgression, and the gaze in the work of Andrea Arnold and Lynne Ramsay --
Conclusion.
Responsibility: John Tulloch and Belinda Middleweek.

Abstract:

Real Sex Films explores one of the most controversial movements in international cinema through theories of globalization and embodiment.  Read more...

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Media studies desperately needs more rainbow scholarship like the impeccable work Tulloch and Middleweek have done here, especially on experiences that are so central to the human condition: Read more...

 
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