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Genre/Form: | Electronic books |
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Additional Physical Format: | Print version: Tulloch, John. Real sex films. New York : Oxford University Press, [2017] (DLC) 2017000885 |
Material Type: | Document, Internet resource |
Document Type: | Internet Resource, Computer File |
All Authors / Contributors: |
John Tulloch; Belinda Middleweek |
ISBN: | 9780190244620 0190244623 9780190244644 019024464X |
OCLC Number: | 983796130 |
Description: | 1 online resource (xxxii, 337 pages) |
Contents: | Cover; Real Sex Films; Copyright; Contents; List of Illustrations; Acknowledgments; Introduction; 1 Intimacy: The Film; 2 The Transformation of Intimacy: Sexuality and Risk in Modernity; 3 Intimacy and Romance in Film Theory; 4 (Part 1) "Intimacy is what hurts when it's gone": Approaching Social Audience Analysis; 4 (Part 2) "A man didn't make this film alone": Intertextual Dialogue; 5 Brutal Intimacy: French Corporeal Cinema; 6 "Desperate for Intimacy": Loneliness and Fun in 9 Songs and Shortbus; 7 Intimate Pleasures and the Madness of Love: Narrative in Ken Park and Irréversible. 8 Actors and Sexual Intimacies: Trust, Mistrust, and the Double Standards of Love9 Intimacies and Addictions in Le Secret; 10 Beyond High Theories of Intimacy: Authorship, Performance, and "Obscenity" in The Piano Teacher; 11 Desire, Intimacy, Transgression, and the Gaze in the Work of Andrea Arnold and Lynne Ramsay; Conclusion; References; Filmography; Index. |
Responsibility: | John Tulloch, Belinda Middleweek. |
Abstract:
Reviews
Publisher Synopsis
Media studies desperately needs more rainbow scholarship like the impeccable work Tulloch and Middleweek have done here, especially on experiences that are so central to the human condition: intimacy, desire, and sex. * Mark Deuze, University of Amsterdam, author of Media Life * Provides both academics and film buffs with an interesting look at the films that toe the line on what [is] acceptable in cinema. * Dakota Ratley, Communication Booknotes Quarterly * Read more...

