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The Recording, Mixing, and Mastering Reference Handbook

Author: Karl Pedersen; Mark Grimshaw-Aagaard
Publisher: Oxford : Oxford University Press, Incorporated, 2018.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
The Recording, Mixing, and Mastering Reference Handbook provides an easy-to-read guide for music-making in the studio setting, from equipment fundamentals to recording and mixing almost any instrument.
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Pedersen, Karl
The Recording, Mixing, and Mastering Reference Handbook
Oxford : Oxford University Press, Incorporated,c2018
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Karl Pedersen; Mark Grimshaw-Aagaard
ISBN: 9780190686659 0190686650
OCLC Number: 1076803468
Notes: Description based upon print version of record.
EQing Different Instruments: Use Your Ears-​and Your Imagination!
Description: 1 online resource (337 p.)
Contents: Cover; The Recording, Mixing, and Mastering Reference Handbook; Copyright; Contents; About the Companion Website; Read Me First!-​A quick guide to using The Recording, Mixing, and Mastering Reference Handbook; PART I The Instruments; 1 The Voice; Acoustics and Microphone Settings; Vocal Psychology; The Headphone Mix; Various Vocal Techniques; The Mix Settings and Effects; Special Uses of Vocal Microphones; Harmony Vocals as Overdub; Tips; 2 The Drum Kit; The Instrument and the Acoustics; Mic Setup; Mic Technique: The Individual Drums in the Kit; Advanced Mic Setups; Mix Settings and Effects Tips3 The Bass Guitar; The Instrument; Mic or DI?; Or Both?; Virtual Amps; Mix Settings and Effects; Tips; 4 The Electric Guitar; The Instrument; Mic Techniques; Ambience and Acoustics; Guitar Effects and Setup; Virtual Stacks and Re-​amping; Mix Settings and Effects; Tips; 5 The Piano; The Instrument and the Acoustics; Always Use Condenser Microphones; Recording Acoustic Pianos in the Studio; Tips; Digital Piano; Live Recording; Mix Settings and Effects; 6 The Acoustic Guitar; The Instrument; Mic Setup; Mix Settings and Effects; 7 The Recording of Some Less Common String Instruments Panning Acoustic Instruments Recorded with Two MicsThe Mandolin; The Dobro; The Banjo; The Harp; 8 Percussion; Congas and Bongos; Cajon; Claves; Djembe and Bodhrán; Tambourine and Shakers; Timbales; Xylophone, Marimba, Vibraphone, and Glockenspiel; 9 The Double Bass and the Cello; The Instrument and the Acoustics; Mic Setup; Stereo Setups; Mix Settings and Effects; Tips; 10 The Violin and the Viola; The Instrument and the Acoustics; Mix Settings and Effects; Tips; 11 Brass and Wind Instruments; The Instrument and the Acoustics; Mic Setup; The Horn Section; Mix Settings and Effects; Tips 12 Synthesizers and Electronic KeyboardsThe Instrument; DI, Mics, or MIDI?; Mix Settings and Effects; Tips; 13 The Leslie Speaker; The Instrument; Mic Setup; Mix Settings and Effects; 14 Live in the Studio; Isolation Booths and Screens; Ghost Notes; Tips; 15 Recording Choirs and Small Acoustic Ensembles; The Acoustics; Mic Placement; Spot Mics; Tips; Choirs with Accompaniment; Mixing and Editing; PART II Microphone Techniques; 16 Microphones: Types and Specifications; The Transducer Types; Reading Mic Specifications; Comparing Mics; 17 Microphones: Polar Pattern; Cardioid; Omni Figure-​of-​EightMulti-​pattern Microphones; Shotgun Microphones; Mic Techniques; Omni versus Cardioid: Choosing the Right Polar Pattern; Recording with Omnis; 18 Stereo Recording; Spaced Omni; The Decca Tree; Baffled Stereo; Coincident Stereo; MS Stereo; More Stereo Setups: ORTF, NOS Stereo, and Binaural; PART III Processors and Effects; 19 EQ and Instruments; Sub-​bass (20-​60 Hz); Bass (60-​250 Hz); Low-​Mid (250 Hz to 2 kHz); Midrange (2-​4 kHz); High-​Mid (4-​6 kHz); High (6-​20 kHz); The Components of the EQ; Common Types of EQ

Abstract:

The Recording, Mixing, and Mastering Reference Handbook provides an easy-to-read guide for music-making in the studio setting, from equipment fundamentals to recording and mixing almost any instrument.

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