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Redefining black film

Author: Mark Allen Reid
Publisher: Berkeley [etc.] : University of California Press, cop. 1993.
Series: Film/black studies
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

Can films about black characters, produced by white filmmakers, be considered 'black films'? In answering this question, this title assesses black film history, distinguishing between films  Read more...

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Genre/Form: Bibliografieën (vorm)
Document Type: Book
All Authors / Contributors: Mark Allen Reid
ISBN: 0520079019 9780520079014 0520079027 9780520079021
OCLC Number: 782154971
Description: x, 170 p. : ill. ; 23 cm.
Contents: Acknowledgments Introduction 1 Early African-American Film Companies Foster Photoplay Company's Black Comedies Lincoln Motion Picture's Black Family Films Oscar Micheaux and Black Action Films The Decline of the Indies 2 African-American Comedy Film Blackface Minstrelsy Processes of Production and Reception Hybrid Minstrelsy and Black Employment as Comic Types Hybrid Minstrel Film Satiric Hybrid Minstrelsy Satiric Hybrid Minstrel Film Toward a Critical Theory of African-American Film 3 Family Film: Black Writers in Hollywood Literary Forces Encouraging the Use of Black Writers Take a Giant Step Race, Sexuality, and a Black Matinee Idol A Raisin in the Sun Textual Dialogue in A Raisin in the Sun 4 Black Action Film From Bitterness to Anger Black Power and Urban Revolts The Making of a Hero Called Sweetback The Studio-Produced Black Action Film 5 Black Comedy on the Verge of a Genre Breakdown She's Gatta Have It School Daze Do the Right Thing 6 Black Feminism and the Independent Film Black Womanism as a Form of Resistance Reception: Resistance, Accommodation, Assimilation Black Womanist Film Praxis The Womanist Film and the Black Professional 7 Male-Directed New Black Independent Cinema Notes Selected Bibliography Index Index of Film Titles
Series Title: Film/black studies
Responsibility: Mark A. Reid.

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"Provocative and fearlessly ideological . . . destined to be cited, and disputed, by generations of film scholars to come."--"Library Journal

 
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