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Reductionism in art and brain science : bridging the two cultures

Author: Eric R Kandel
Publisher: New York : Columbia University Press, 2016.
Edition/Format:   Print book : EnglishView all editions and formats

The Nobel Prize-winning neuroscientist Eric R. Kandel shows how science can inform the way we experience a work of art and seek to understand its meaning. He illustrates how reductionism-distillation  Read more...


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Document Type: Book
All Authors / Contributors: Eric R Kandel
ISBN: 9780231179621 0231179626
OCLC Number: 989520916
Notes: "In Reductionism in Art and Brain Science, Kandel shows how this radically reductionist approach, applied to the most complex puzzle of our time-the brain-has been employed by modern artists who distill their subjective world into color, form, and light. Kandel demonstrates through bottom-up sensory and top-down cognitive functions how science can explore the complexities of human perception and help us to perceive, appreciate, and understand great works of art. At the heart of the book is an elegant elucidation of the contribution of reductionism to the evolution of modern art and its role in a monumental shift in artistic perspective. Reductionism steered the transition from figurative art to the first explorations of abstract art reflected in the works of Turner, Monet, Kandinsky, Schoenberg, and Mondrian. Kandel explains how, in the postwar era, Pollock, de Kooning, Rothko, Louis, Turrell, and Flavin used a reductionist approach to arrive at their abstract expressionism and how Katz, Warhol, Close, and Sandback built upon the advances of the New York School to reimagine figurative and minimal art. Featuring captivating drawings of the brain alongside full-color reproductions of modern art masterpieces, this book draws out the common concerns of science and art and how they illuminate each other." --> na zavihku ov.
Awards: Commended for PROSE Award in Biomedicine and Neuroscience 2017
Description: X, 226 str. : ilustr. ; 24 cm.
Contents: Part I: Two Cultures Meet in the New York School Introduction 1. The Emergence of an Abstract School of Art in New York Part II: A Reductionist Approach to Brain Science 2. The Beginning of a Scientific Approach to the Perception of Art 3. The Biology of the Beholder's Share: Visual Perception and Bottom-Up Processing in Art 4. The Biology of Learning and Memory: Top-Down Processing in Art Part III: A Reductionist Approach to Art 5. Reductionism in the Emergence of Abstract Art 6. Mondrian and the Radical Reduction of the Figurative Image 7. The New York School of Painters 8. How the Brain Processes and Perceives Abstract Images 9. From Figuration to Color Abstraction 10. Color and the Brain 11. A Focus on Light 12. A Reductionist Influence on Figuration Part IV: The Emerging Dialogue Between Abstract Art and Science 13. Why Is Reductionism Successful in Art? 14. A Return to the Two Cultures Acknowledgments Notes References Illustration Credits Index
Responsibility: Eric R. Kandel.


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Eric R. Kandel seamlessly moves between the intricacies of science and art, weaving their histories into a common narrative that illuminates both fields and shows they have more in common than is Read more...

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