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Reel tracks : Australian feature film music and cultural identities

Author: Rebecca Coyle
Publisher: Eastleigh, UK : John Libbey Pub. : Bloomington, IN : Distributed in North America by Indiana University Press, ©2005.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:

Provides a series of analyses of mainstream Australian cinema.

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Genre/Form: Criticism, interpretation, etc
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Rebecca Coyle
OCLC Number: 1036820488
Description: 1 online resource (vii, 257 pages : illustrations, music)
Contents: Soundscapes of surf and steel : "Blackrock" and "Bootmen" / Shane Homan --
New-Age Ned : Scoring Irishness and masculinity in "Ned Kelly" / Helen O'Shea --
Hauntings : Soundtrack representations of Papua New Guinea in "To have and to hold" and "In a savage land" / Philip Hayward --
"Hei-fen" and musical subtexts in two Australian films by Clara Law / Tony Mitchell --
Lost in music : popular music, multiculturalism and Australian film / Jon Stratton --
Scoring : sexuality and Australian film music, 1990-2003 / Bruce Johnson and Gaye Poole --
"Christ kid, you're a weirdo" : aural construction of subjectivity in "Bad boy bubby" / Melissa Iocco and Anna Hickey-Moody --
The sound of redemption in "Chopper" : rediscovering ambience as affect / Mark Evans --
Sounds of Australia in "Rabbit-proof fence" / Marjorie D. Kibby --
Untangling "Lantana" : a study of film sound production / Rebecca Coyle --
Moon music : musical meanings in "One night the moon" / Kate Winchester --
Transcendent voices : choral music in "Paradise road" / Jude Magee --
Musical intertextuality in "The bank" / Michael Hannan --
Carl Vine's score in "beDevil" / Catherine Summerhayes and Roger Hillman --
The composer as alchemist : an overview of Australian feature film scores 1994-2004 / Michael Atherton.
Responsibility: edited by Rebecca Coyle.
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..". gathers essays that examine music's role in creating space, place, and cultural identity in the soundtracks of mainstream Australian films.... Recommended." --Choice

 
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Primary Entity

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