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Refiguring Techniques in Digital Visual Research.

Author: Edgar Gómez Cruz; Shanti Sumartojo; Sarah Pink
Publisher: Cham : Springer International Publishing, 2017.
Series: Digital Ethnography.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
This book interrogates how new digital-visual techniques and technologies are being used in emergent configurations of research and intervention. It discusses technological change and technological possibility; theoretical shifts toward processual paradigms; and a respectful ethics of responsibility. The contributors explore how new and evolving digital-visual technologies and techniques have been utilized in the  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Gómez Cruz, Edgar.
Refiguring Techniques in Digital Visual Research.
Cham : Springer International Publishing, ©2017
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Edgar Gómez Cruz; Shanti Sumartojo; Sarah Pink
ISBN: 9783319612225 3319612220
OCLC Number: 1001979916
Notes: Chapter 9 Careful Surveillance at Play: Human-Animal Relations and Mobile Media in the Home.
Description: 1 online resource (159 pages)
Contents: Editors and Contributors; List of Figures; Introduction; Chapter 1 Technologies, Possibilities, Emergence and an Ethics of Responsibility: Refiguring Techniques ; Abstract ; 1.1 Introduction; 1.2 What Does the 'Technological Possible' Mean for Digital Visual Research?; 1.3 What are the Implications of Seeing Researcher Engagement with New and Emerging Technologies as Improvisation Rather Than Innovation?; 1.4 What Does This Mean for an Ethics of Responsibility in Digital Visual Research? 1.5 How Can We Harness Techniques that Involve Digital Visual Technologies for Making or Ensuring Better Futures?1.6 How Can Digital Visual Technologies and Techniques Benefit Collaborations with External Research Partners and Stakeholders to Gain Understandings that Will Enable Us and Them to Better Judge How We Move on into Our Digital Futures?; 1.7 Summing up; References; Chapter 2 Non-human Sensing: New Methodologies for the Drone Assemblage ; Abstract ; 2.1 Introduction; 2.2 The Drone Body; 2.3 Drone Piloting and the Wayward Object; 2.4 Conclusions; References. Chapter 3 Immersive Reflexivity: Using 360° Cameras in Ethnographic Fieldwork Abstract ; 3.1 Introduction; 3.2 Visual Practices and Digital Affordances; 3.3 Locating 360° Cameras Within Photographic History; 3.4 Sensing the Emplacement of Doing Fieldwork with 360° Images; 3.5 360° Images: Sharing Fieldwork Experiences; 3.6 360° Images as Visual Fieldnotes; 3.7 Concluding Remarks; References; Chapter 4 Empathetic Visuality: GoPros and the Video Trace ; Abstract ; 4.1 Introduction; 4.2 Cameras on Our Bodies: Situating the GoPro; 4.3 The Video Trace; 4.4 Cycling with GoPros. 4.5 Empathy and the Video Trace4.6 The Video Trace and Auto-Ethnography at a Public Event; 4.7 Conclusion; References; Chapter 5 In Defence of the "Thin": Reflections on the Intersections Between Interactive Documentaries and Ethnography ; Abstract ; 5.1 Introduction; 5.2 Background; 5.3 Defining the Interactive Documentary; 5.4 Academic Engagements with iDocs; 5.5 Conclusions; References; Chapter 6 Ethnography Through the Digital Eye: What Do We See When We Look? ; Abstract ; 6.1 Introduction; 6.2 How Does Eye-Tracking Work and What can it 'Measure'? 6.3 Eye-Tracking and Ethnography: Exploratory Case Studies6.4 Conclusions; References; Chapter 7 Visual Documentation in Hybrid Spaces: Ethics, Publics and Transition ; Abstract ; 7.1 Introduction; 7.2 Scene 1: Viewing Walls in Public Space; 7.3 Scene 2: Publics and the Museum; 7.4 Reading the Image of Hybrid Spaces; References; Chapter 8 At the Edges of the Visual Culture of Exile: A Glimpse from South Australia ; Abstract ; 8.1 Openings; 8.2 Shifting Ground; 8.3 Between Here and There; References.
Series Title: Digital Ethnography.

Abstract:

This book interrogates how new digital-visual techniques and technologies are being used in emergent configurations of research and intervention. It discusses technological change and technological possibility; theoretical shifts toward processual paradigms; and a respectful ethics of responsibility. The contributors explore how new and evolving digital-visual technologies and techniques have been utilized in the development of research, and reflect on how such theory and practice might advance what is "knowable" in a world of smartphones, drones, and 360-degree cameras.

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