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Remembered Presences

Author: Alison Croggon
Publisher: Sydney : Currency Press, 2018.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Ranging from early reviews to wide-focus essays of cultural criticism, from playful meditations on the critical form to searching interrogations of the role of the critic in the volatile digital age, Alison Croggon's Theatre Notes charts the evolution of a crucial critical voice. It includes the best of the essays and reviews published in a variety of daily papers and literary magazines, but at its centre is an eye  Read more...
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Details

Genre/Form: Electronic books
Additional Physical Format: Print version:
Croggon, Alison.
Remembered Presences.
Sydney : Currency Press, ©2018
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Alison Croggon
ISBN: 9781760622138 1760622133
OCLC Number: 1096229845
Description: 1 online resource (261 pages)
Contents: Cover; Author Biography; Preface: How to think like a theatre critic; Acknowledgements; Dedication; Remembered Presences; The Last Days of Mankind; 7 Days 10 Years; Hamlet: Brook and Redding; Trapped by the Past; Subclass26A; Out on a Limb; The Yellow Wallpaper; The Ham Funeral / Journal of a Plague Year; Black Medea; Phobia; Songs of Exile; Lally Katz and the Terrible Mysteries of the Volcano; Eldorado; Construction of the Human Heart; The Skriker; Le Dernier Caravansérail (Odyssées); The Damask Drum; Tense Dave; OT: Chronicles of the Old Testament; On Paul Capsis Holiday / Chapters from the PandemicMeow Meow; Moving Target; Red Sky Morning; Blackbird; Patti Smith; The Women of Troy; Dust; Grace; The War of the Roses; Wretch; Peer Gynt; 3xSisters / Spring Awakening; Tom Fool / Leaves of Glass; Poppea; One Night The Moon; Structure and Sadness; The Harry Harlow Project; Glasoon; Godzone; Ngurrumilmarrmiriyu (Wrong Skin); My Stories, Your Emails; PropagandA; The Grenade; Moth / The Ugly One / Hole in the Wall; Do Not Go Gentle ... ; This Kind of Ruckus; Sappho ... in 9 Fragments; Thyestes; The Trial; Peer Gynt / Elektra / Creditors; The Nest; Don Parties On Song of the Bleeding ThroatThe End; Amplification / Faker; Princess Dramas; The Burlesque Hour Loves Melbourne; Small Odysseys; Pina; Namatjira / Rising Water; Ganesh Versus the Third Reich; Return to Earth; Oráculos; Welcome to Thonnet; Olive as tragic hero; The Histrionic; Persona; On the Production of Monsters; Next Wave: Monster Body / Dewey Dell / Justin Shoulder; Queen Lear; Queen Lear: the perfect storm; Top Girls; Some notes on Orlando; Pompeii, LA; On the Importance of Being Seen; The Cherry Orchard; Roman Tragedies; Hedda Gabler; Hipbone Sticking Out / Team of Life; Cut The Sky MTC Neon (Shit and We Get It) / Birdland / Love and InformationAntigone; Asking For It: A One-Lady Rape About Comedy Starring Her Pussy and Little Else.; Watching Xavier Le Roy: Self Unfinished at Dancehouse, Melbourne; Miss Julie; Neon Festival; Australia's leading Artistic Directors should embrace both positive and negative criticism; Assemblage #1, Matthew Day; The Book of Exodus: Part One; Macbeth; The Real and Imagined History of the Elephant Man; Copyright Details

Abstract:

Ranging from early reviews to wide-focus essays of cultural criticism, from playful meditations on the critical form to searching interrogations of the role of the critic in the volatile digital age, Alison Croggon's Theatre Notes charts the evolution of a crucial critical voice. It includes the best of the essays and reviews published in a variety of daily papers and literary magazines, but at its centre is an eye witness account of the 2004-2012 Australian theatre renaissance, written as it occurred.

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Linked Data


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