• Cite/Export
  Cite/Export

  Copy a citation

  APA (6th ed.)

  

  Chicago (Author-Date, 15th ed.)

  

  Harvard (18th ed.)

  

  MLA (7th ed.)

  

  Turabian (6th ed.)

  

  Export a citation

  Export to RefWorks   Export to EndNote / Reference Manager   Export to EasyBib
  Export to EndNote / Reference Manager(non-Latin)   Cancel

  Note: Citations are based on reference standards. However, formatting rules can vary widely between applications and fields of interest or study. The specific requirements or preferences of your reviewing publisher, classroom teacher, institution or organization should be applied.
• Print
• E-mail
  E-mail

  All fields are required.

  The E-mail Address(es) field is required. Please enter recipient e-mail address(es).

  The E-mail Address(es) you entered is(are) not in a valid format. Please re-enter recipient e-mail address(es).

  You may send this item to up to five recipients.

  Enter recipient e-mail address(es): Separate up to five addresses with commas (,)

  The name field is required. Please enter your name.

  Enter your name: The subject field is required. Please enter the subject. Subject:

  The E-mail message field is required. Please enter the message.

  E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/49872270 Title: Rescripting Shakespeare : the text, the director, and modern productions Author: Alan C Dessen Publisher: Cambridge ; New York : Cambridge University Press, 2002. ISBN/ISSN: 0521810299 9780521810296 0521007984 9780521007986 OCLC:49872270

  
  

  Please verify that you are not a robot.

  Cancel
• Share
• Permalink
  Permalink

  Copy this URL to link to this page:

Rescripting Shakespeare : the text, the director, and modern productions

Author:	Alan C Dessen
Publisher:	Cambridge ; New York : Cambridge University Press, 2002.
Edition/Format:	Print book : EnglishView all editions and formats
Summary:	"Building on almost 300 productions from the last twenty-five years, Alan Dessen focuses on the playtexts used when directors stage Shakespeare's plays: the actual words spoken, the scenes or segments omitted or transposed, and the many other adjustments that must be made - as with references to swords in a production that features handguns and grenades. Directors rescript to streamline the playscript and save running time by cutting speeches or entire scenes, as well as to climinate obscurity, conserve on personnel, and occasionally cancel out a passage that might not fit with a particular "concept." They rewright when they make more extensive changes, moving closer to the role of the playwright, as when the three parts of Henry VI are compressed into two plays. Rescripting can yield practical, narrative, and conceptual gains but can also involve losses or diminutions, so that Dessen calls attention to price tags and trade-offs, both the pluses and minuses of a director's rescripting or rewrighting. He analyzes what such choices might exclude or preclude and explains the exigencies faced by actors and directors in placing before today's audiences words targeted at players, playgoers, and playhouses that no longer exist. The results are of interest and importance as much to theatrical professionals as to theatre historians and students."--Jacket.  Read more...
Subjects	Shakespeare, William, -- 1564-1616 -- Stage history -- 1950- Shakespeare, William, -- 1564-1616 -- Dramatic production. Shakespeare, William, -- 1564-1616 -- Criticism, Textual. View all subjects
More like this	Similar Items