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Le retour du roman d'aventures : formes et enjeux contemporains : à partir de Jean Echenoz

Author: May Farouk
Publisher: Paris : Honoré Champion éditeur, 2017.
Series: Bibliothèque de littérature générale et comparée (Paris, France), 146.
Edition/Format:   Print book : FrenchView all editions and formats
Summary:
The adventure novel whose statutory ambiguity (literature, paraliterature, youth literature) and history have earned it a discredit deserves a renewed approach. Contrary to the dominant critical approach, illustrated by Jean-Yves Tadié, who studied "the genre at the time when he separates from the novel", this essay considers him at the moment when he gets involved and dissolves in the novel, in the essence of  Read more...
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Genre/Form: Criticism, interpretation, etc
Named Person: Jean Echenoz; Jean Echenoz; Jean Echenoz
Document Type: Book
All Authors / Contributors: May Farouk
ISBN: 9782745344748 2745344749
OCLC Number: 1014267820
Description: 220 pages ; 24 cm.
Contents: 1. De la résurgence du sous-genre --
Les caprices d'un parcours --
Les archétypes de l'aventure (de l'origine à l'apogée du genre) --
L'éphémère ou l'aventure humaniste --
Le Nouveau roman : l'aventure "en procès" --
Le retour "en grâce" --
Un détour par le romanesque et les formes du passé --
La perspective postmoderne ou le poids du soupçon --
Quel paradigme pour le roman d'aventures et la littérature d'aujourd'hui ? --
2. Le roman d'aventures mis à l'épreuve --
De la conception malaisée du genre --
De l'impasse définitionnelle --
Du legs critique --
L'héritage de la NRF : les prémisses d'une nouvelle modernité --
De la subversion parodique aux bifurcations du genre --
Un détour par la parodie --
Les malaises de l'aventure --
Les combinaisons "sérielles" du genre ou ses virages "au noir" --
Lac ou les dérives de l'encodage --
3. Les turbulences de l'espace --
De la stratégie des "lieux" --
L'"espace" de l'incipit ou la stratégie symbolique du lieu --
La demeure de Gloire : lieu d'un vide identitaire --
Les vertiges du "vide" --
L'aventure "urbaine" --
La frénésie des "non-lieux" --
De "l'hyperréalisme" des lieux --
De la "médiatisation" des lieux --
De l'aventure "exotique" --
Des "non-lieux" exotiques des Grandes blondes --
De l'exotisme "post-mortem" d'Au piano --
Du "désert" arctique --
4. Quand l'aventure frise le musical --
Le paratexte sonore ou le pacte musical --
Le roman de la musique --
Au piano : une fiction musicale "désamorcée" --
Le roman sur la musique --
Ravel, une "biofiction" musicale --
Du métadiscours musical --
La musique du roman --
De la composition musicale dans le roman --
Le Boléro : de la composition musicale à celle du roman --
Conrad/Ravel : une relation "générique" complexe --
5. Les rebondissements de l'écriture --
Les débridements du linéaire --
Les secousses du narratif --
Les "abymes" du récit --
Les débordements du rectiligne --
Les expansions digressives --
Les aléas du couple auteur/lecteur --
Les "repentirs" ou les impostures de la rectitude --
De la (pseudo) vectorisation par l'Histoire --
Les infractions au linéaire de l'ironie macabre --
De la dilatation emphatique de la droite.
Series Title: Bibliothèque de littérature générale et comparée (Paris, France), 146.
Responsibility: May Farouk.

Abstract:

The adventure novel whose statutory ambiguity (literature, paraliterature, youth literature) and history have earned it a discredit deserves a renewed approach. Contrary to the dominant critical approach, illustrated by Jean-Yves Tadié, who studied "the genre at the time when he separates from the novel", this essay considers him at the moment when he gets involved and dissolves in the novel, in the essence of romance. The adventure novel is well read in terms of lineage effect and such effect. The singular adventure novel by Echenoz makes it possible to define these effects. He summons the adventure at the end of the earth, at the end of the street and at the end of the page; it combines the legacies of baroque, picaresque, romance and Stevenson, realism and modern formalism. The contemporary issues of gender are thus defined.--Honoré Champion.

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