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Riki Mijling : void/volume

Author: Riki MijlingAntoon MelissenEugen GomringerPeter LodermeyerKirsten FlossAll authors
Publisher: Bielefeld : Kerber Verlag, [2018] ©2018
Series: Kerber art.
Edition/Format:   Print book : Biography : EnglishView all editions and formats
Summary:
Dutch sculptor Riki Mijling (1954, Nijmegen, The Netherlands) works in a rich tradition of non-objective, post-minimalist sculpture. With her sculpture--and her works on paper, too--Mijling expands on the rich tradition of essentialism, developing a characteristic and unique visual language. Mijling pairs a reductionist approach with a warm, "charged" character of her sculptures in waxed steel, Cor-Ten steel, glass  Read more...
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Genre/Form: Exhibition catalogs
Exhibitions
Named Person: Riki Mijling; Riki Mijling
Material Type: Biography
Document Type: Book
All Authors / Contributors: Riki Mijling; Antoon Melissen; Eugen Gomringer; Peter Lodermeyer; Kirsten Floss; Galerie Floss & Schultz,; Riki Mijling Foundation,
ISBN: 9783735604361 3735604366
OCLC Number: 1021038987
Language Note: Parallel texts in English and German.
Notes: Published in conjunction with the exhibition held at Galerie Floss & Schultz, Cologne, Germany, 7 September-31 October, 2018.
"This book is published in collaboration with the Riki Mijling Foundation"--Page 185.
Description: 187 pages : color illustrations ; 29 cm.
Series Title: Kerber art.
Other Titles: Void/volume
Riki Mijling.
Riki Mijling.
Responsibility: editor, Antoon Melissen ; texts, Eugen Gomringer, Peter Lodermeyer, Antoon Melissen, Kirsten Floss.

Abstract:

Dutch sculptor Riki Mijling (1954, Nijmegen, The Netherlands) works in a rich tradition of non-objective, post-minimalist sculpture. With her sculpture--and her works on paper, too--Mijling expands on the rich tradition of essentialism, developing a characteristic and unique visual language. Mijling pairs a reductionist approach with a warm, "charged" character of her sculptures in waxed steel, Cor-Ten steel, glass and stone. It distinguishes Mijling from so many contemporaries and admired forerunners, and raises the question whether the concept of "minimalism" is, in Mijling's case, still applicable. The non-referential, archetypical forms of Riki Mijling's sculptures lead back to basic elements, to universal significance of timeless forms. Unmistakably "Mijling" is a quest for an ideal line, for pure form, and a new experience of space, of the balance between matter and non-matter.

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Primary Entity

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