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Rojo mexicano : la grana cochinilla en el arte.

Author: Museo del Palacio de Bellas Artes (Mexico),; Instituto Nacional de Bellas Artes (Mexico),; Morelos (Mexico : State). Secretaría de Cultura,
Publisher: Ciudad de Mexico : Instituto Nacional de Bellas Artes, 2017.
Series: Museos y galerías.
Edition/Format:   Print book : Conference publication : Spanish : Primera edición
Summary:
The 19 texts contained in the present catalogue trace the journey of the Mexican red cochineal from the highlands of Pre-Hispanic Mesoamerica to Europe, a natural dye that produced a red so intense that European artists quickly embraced it as their own for three centuries. The trade in this dye reaped vast riches for the Spanish crown and it became increasingly associated with the projection of power in the 17th and  Read more...
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Genre/Form: Exhibition catalogs
History
Exhibitions
Expositions
Material Type: Conference publication
Document Type: Book
All Authors / Contributors: Museo del Palacio de Bellas Artes (Mexico),; Instituto Nacional de Bellas Artes (Mexico),; Morelos (Mexico : State). Secretaría de Cultura,
ISBN: 9786076054918 6076054913
OCLC Number: 1017769472
Language Note: Some articles translated from English.
Notes: Proceedings of an international colloquium, convened by the Instituto Nacional de Bellas Artes and the Secretaria de Cultura de Morelos in 2014; published to accompany the exhibition, Rojo mexicano, held at the Museo del Palacio de Bellas Artes, November 10, 2017-February 4, 2018.
"Lista catalográfica": pages 377-380.
Description: 389 pages : illustrations (chiefly color), charts, facsimiles, map, portraits ; 25 cm
Contents: Introducción / Georges Roque --
La cochinilla en la pintura de códices prehispánicos y coloniales / Davide Domenici, Chiara Grazia, David Buti, Aldo Romani, Constanza Miliani y Antonio Sgamellotti --
La grana en Huejotzingo. Lugar del pequeño huejote / Baltazar Brito Guadarrama --
La memoria de la grana de Antonio Saborit --
La grana cochinilla mexicana y los colores de la temprana globalización comercial, siglos XVI-XVIII / Carlos Marichal --
La producción y el comercio del tinte de la grana cochinilla en Oaxaca, México, de 1750 a 1821 / Jeremy Baskes --
El carmín de Indias de Rocío Bruquetas Galán --
Paños labrados de carmín en la pintura novohispana / Elsa Arroyo Lemus, Manuel Espinosa Pesqueira y Witold Nowik --
Textiles evocados. Estofar con el rojo novohispano / Patricia Díaz Cayeros y Pablo F. Amador Marrero --
El poder del rojo: los significados del rojo en Europa / Amy Butler Greenfield --
La cochinilla en los textiles y la pintura en la modernidad temprana europea / Barbara Anderson --
La cochinilla de la Nueva España en Holanda en los textos y en la práctica. Naturalezas muertas / Erma Hermens --
Pigmentos de cochinilla en la pintura del siglo XIX / Jo Kirby --
Carmín es el rojo del vino. La cochinilla en la pintura de Vincent van Gogh / Ella Hendriks, Muriel Geldof, Maarten van Bommel y Kathrin Pilz --
La grana cochinilla y la utopía del rojo en la estampa japonesa / Amaury A. García Rodríguez --
No todo rojo es grana. El carmín y la fucsina en los tejidos mexicanos / Alejandro de Ávila B. --
Arte popular y grana cochinilla. Acervo de Arte Indigenista de la CDI / Octavio Murillo Álvarez de la Cadena --
Veinte micras de laca roja de cochinilla. Las Islas Canarias y su protagonismo en la biografía del rojo americano / Pablo F. Amador Marrero --
Estudio de colorantes y pigmentos laca de cochinilla en las colecciones mexicanas / Miguel A. Maynez, Elsa Arroyo, Edgar Casanova, Tatiana Falcón y José Luis Ruvalcaba.
Series Title: Museos y galerías.

Abstract:

The 19 texts contained in the present catalogue trace the journey of the Mexican red cochineal from the highlands of Pre-Hispanic Mesoamerica to Europe, a natural dye that produced a red so intense that European artists quickly embraced it as their own for three centuries. The trade in this dye reaped vast riches for the Spanish crown and it became increasingly associated with the projection of power in the 17th and 18th centuries. Cochineal fell into decline in the 19th century, as synthetic dyes were introduced, but was sought out later by the Impressionists. The essays represent years of research and work of different specialists, chemists, restorers, historians, physicists, economists, biologists and artists who write about subjects as varied as the biological characteristics of insects, color extraction processes and technological innovations, among others.

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