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The romantic generation

Author: Charles Rosen
Publisher: Cambridge, Mass. : Harvard University Press, 1998.
Edition/Format:   Print book : Biography : EnglishView all editions and formats
Summary:

What Rosen's The Classical Style did for music of the Classical period, this highly praised volume does for the Romantic era. An exhilarating exploration of musical language, forms, and styles of the  Read more...

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Material Type: Biography
Document Type: Book
All Authors / Contributors: Charles Rosen
ISBN: 0674779347 9780674779341 0674779339 9780674779334
OCLC Number: 318400797
Notes: Incluye índice.
Description: xv, 723 p. : il., música ; 24 cm
Contents: Preface Music and Sound Imagining the sound Romantic paradoxes: the absent melody Classical and Romantic pedal Conception and realization Tone color and structure Fragments Renewal The Fragment as Romantic form Open and closed Words and music The emancipation of musical language Experimental endings and cyclical forms Ruins Disorders Quotations and memories Absence: the melody suppressed Mountains and Song Cycles Horn calls Landscape and music Landscape and the double time scale Mountains as ruins Landscape and memory Music and memory Landscape and death: Schubert The unfinished workings of the past Song cycles without words Formal Interlude Mediants Four-bar phrases Chopin: Counterpoint and the Narrative Forms Poetic inspiration and craft Counterpoint and the single line Narrative form: the ballade Changes of mode Italian opera and J. S. Bach Chopin: Virtuosity Transformed Keyboard exercises Virtuosity and decoration (salon music?) Morbid intensity Chopin: From the Miniature Genre to the Sublime Style Folk music? Rubato Modal harmony? Mazurka as Romantic form The late mazurkas Freedom and tradition Liszt: On Creation as Performance Disreputable greatness Die Lorelei: the distraction of influence The Sonata: the distraction of respectability The invention of Romantic piano sound: the Etudes Conception and realization The masks of Liszt Recomposing: Sonnet no. 104 Self-Portrait as Don Juan Berlioz: Liberation from the Central European Tradition Blind idolaters and perfidious critics Tradition and eccentricity: the idee fixe Chord color and counterpoint Long-range harmony and contrapuntal rhythm: the "Scene d'amour" Mendelssohn and the Invention of Religious Kitsch Mastering Beethoven Transforming Classicism Classical form and modern sensibility Religion in the concert hall Romantic Opera: Politics, Trash, and High Art Politics and melodrama Popular art Bellini Meyerbeer Schumann: Triumph and Failure of the Romantic Ideal The irrational The inspiration of Beethoven and Clara Wieck The inspiration of E.T.A. Hoffmann Out of phase Lyric intensity Failure and triumph Index of Names and Works
Responsibility: Charles Rosen.

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Author/teacher/concert pianist Rosen delivers a monumental follow-up to his award-winning The Classical Style, here concentrating on the generation of European composers who "came of age" in the Read more...

 
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