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Rubens drawing on Italy

Author: Jeremy Wood; National Gallery of Scotland.; Djanogly Art Gallery.
Publisher: Edinburgh : National Gallery of Scotland, 2002.
Edition/Format:   Print book : Government publication : EnglishView all editions and formats
Summary:
"Peter Paul Rubens was one of the most inventive and prolific artists in the history of western art. After his early training in Antwerp, Rubens spent formative periods in Italy between 1600 and 1608. This book explores the ways in which Rubens studied, copied, and adapted the work of artists such as Michelangelo, Raphael and Titian. A large group of drawings by Italian artists, many of which were owned by Rubens  Read more...
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Genre/Form: Exhibition catalogues
Exhibition catalogs
Tentoonstellingscatalogi (vorm)
Exhibitions
Travel
Expositions
Additional Physical Format: Online version:
Wood, Jeremy, 1948-
Rubens drawing on Italy.
Edinburgh : National Gallery of Scotland, 2002
(OCoLC)606838251
Named Person: Peter Paul Rubens; Peter Paul Rubens; Peter Paul Rubens; Peter Paul Rubens, Sir; Peter Paul Rubens
Material Type: Government publication
Document Type: Book
All Authors / Contributors: Jeremy Wood; National Gallery of Scotland.; Djanogly Art Gallery.
ISBN: 1903278317 9781903278314
OCLC Number: 50214662
Notes: National Gallery of Scotland, Edinburgh, 14 June to 1 September 2002; Djanogly Art Gallery, Nottingham, 20 September to 8 December 2002.
Description: 95 pages : illustrations (some color) ; 30 cm
Responsibility: Jeremy Wood.
More information:

Abstract:

"Peter Paul Rubens was one of the most inventive and prolific artists in the history of western art. After his early training in Antwerp, Rubens spent formative periods in Italy between 1600 and 1608. This book explores the ways in which Rubens studied, copied, and adapted the work of artists such as Michelangelo, Raphael and Titian. A large group of drawings by Italian artists, many of which were owned by Rubens and extensively transformed by him, are illustrated. These works show how Rubens's dialogue with Italian art went far beyond mere imitation and how his copies and adaptations attracted the attention of scholars and collectors from his lifetime onwards."--Jacket.

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Linked Data


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