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Ruptures and continuities in Soviet/Russian cinema : styles, characters and genres before and after the collapse of the USSR

Author: Birgit Beumers; Eugenie Zvonkine
Publisher: London : Routledge, Taylor & Francis Group, 2018. ©2018
Series: Routledge contemporary Russia and Eastern Europe series.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
"This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in Russia. The book considers a wide range of films and filmmakers. It considers genres, characters and filmmakers' styles, and concludes that whereas genres and the industry, and characters, did change  Read more...
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Genre/Form: Criticism, interpretation, etc
Electronic books
Additional Physical Format: Print version:
Ruptures and continuities in Soviet/Russian cinema.
London : Routledge, Taylor & Francis Group, 2018
(OCoLC)1010724421
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Birgit Beumers; Eugenie Zvonkine
ISBN: 9781315559278 1315559277
OCLC Number: 1015675941
Description: 1 online resource (xiii, 226 pages) : illustrations.
Contents: Re-construction, or Perestroika: re-visioning, re-making, re-framing / Birgit Beumers and Eugénie Zvonkine --
Perestroika and parallel cinema / Boris Yukhananov --
Soviet comedies for our time: cinematic remaking in 21st-century Russia / Victoria Donovan --
The journey of a film: Aleksei Gherman's Hard to be a God, 1968-2013 / Eugénie Zvonkine --
Waiting for change: Sergei Solovev and the dreams of the young generation / Birgit Beumers --
The prostitute as everywoman: the role and evolution of the sex worker in Russian cinema / Emily Schuckman Matthews --
Thank God we're not alive: the rock star in Soviet and post-Soviet cinema / Rita Safariants --
Neither here, nor there: the trickster in the cinema of Perestroika and the early 1990s / Mark Lipovetsky --
We'll meet in Tahiti: the traveller between East and West in Russian films of the 1990s / Julian Graffy --
Reality excess: Chernukha cinema in the late 1980s / Volha Isakava --
A genre in crisis? Satirical comedy during Perestroika / Otto Boele --
Articulating dissonance between man and the cosmos: Soviet scientific fantasy in the 1980s and its legacy / Natalija Majsova --
Revising history, remaking heroes: Soviet-Russian cinema and the Civil War / Stephen M. Norris.
Series Title: Routledge contemporary Russia and Eastern Europe series.
Responsibility: edited by Birgit Beumers and Eugénie Zvonkine.

Abstract:

"This book, based on extensive original research, examines how far the collapse of the Soviet Union represented a threshold that initiated change or whether there are continuities which gradually reshaped cinema in Russia. The book considers a wide range of films and filmmakers. It considers genres, characters and filmmakers' styles, and concludes that whereas genres and the industry, and characters, did change around 1991, filmmakers' styles continued largely unaffected."--Page 4 of cover.

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