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  E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/1153973718 Title: Russomania : Russian culture and the creation of British modernism, 1881-1922 Author: Rebecca Beasley Publisher: Oxford : Oxford University Press, 2020 ISBN/ISSN: 9780198802129 0198802129 OCLC:1153973718

  
  

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Russomania : Russian culture and the creation of British modernism, 1881-1922

Author:	Rebecca Beasley
Publisher:	Oxford : Oxford University Press, 2020
Edition/Format:	Print book : English : First editionView all editions and formats
Summary:	The book provides a new account of modernist literature's emergence in Britain. British writers played a central role in the dissemination of Russian literature and culture during the early twentieth century, and their writing was transformed by the encounter. This study restores the thick history of that moment, by analyzing networks of dissemination and reception to recover the role of neglected aswell as canonical figures, and institutions as well as individuals. 0The dominant account of British modernism privileges a Francophile genealogy, but the turn-of-the century debate about the future of British writing was a triangular debate, a debate not only between French and English models, but between French, English, and Russian models. Francophile modernists associated Russian literature, especially the Tolstoyan novel, with an uncritical immersion in 'life' at the expense of a mastery of style, and while individual works might be admired, Russian literature as a whole was represented as a dangerous model for British writing. This supposed danger was closely bound up with the politics of the period, and this book investigates how Russian culture was deployed in the close relationships between writers, editors, and politicians who made up the early twentieth-century intellectual class-the British intelligentsia. Russomania argues that the most significant impact of Russian culture is not to be found in stylistic borrowings between canonical authors, but in the shaping of the major intellectual questions of the period: the relation between language and action, writer and audience, and the work of art and lived experience. The resulting account brings an occluded genealogy of early modernism to the fore, with a differentarrangement of protagonists, different critical values, and stronger lines of connection to the realist experiments of the Victorian past, and the anti-formalism and revived romanticism of the 1930s and 1940s future.  Read more...
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Subjects	English literature -- 20th century -- History and criticism. Littérature anglaise -- 20e siècle -- Histoire et critique. English literature.
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