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The SAGE handbook of popular music

Author: Andy Bennett; Steve Waksman
Publisher: Los Angeles : SAGE reference, [2015]
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

This Handbook represents a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field.

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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Ebook version
Document Type: Book
All Authors / Contributors: Andy Bennett; Steve Waksman
ISBN: 9781446210857 1446210855
OCLC Number: 909158243
Description: 1 volume ; 25 cm
Contents: Introduction - Andy Bennett and Steve WaksmanSECTION 1: Theory and Method - Introduction by Andy BennettThe Many Worlds of Popular Music: Ethnomusicological - Kevin DaweNotes on Sociological Theory and Popular Music Studies - Motti RegevWaiting for the Great Leap Forwards: Mixing Pop, Politics - Gilbert B. Rodman(Re)Generations of Popular Musicology - Serge LacasseArchival Research and the Expansion of Popular Music - Christine Feldman-BarrattSECTION 2: The Business of Popular Music - Introduction by Steve WaksmanPower, Production and the Pop Process - Reebee GarofaloIntermediaries and Intermediation - Devon PowersPopular Musical Labor in North America - Matt StahlMusic in Advertising in the U.S.: History and Issues - Timothy D. TaylorSECTION 3: Popular Music History - Introduction by Steve WaksmanGrinding out Hits at the Song Factory - Keir KeightleyPopular Music Genres: Aesthetics, Commerce and Identity - David BrackettLive Music History - Matt BrennanSECTION 4: The Global and the Local - Introduction by Andy BennettObservations on African, African-American, Middle Eastern - Tony MitchellElectronic Dance Music Cultures, Ritualization and the Case - Graham St. John"Everything Louder than Everyone Else': The Origins and Persistence of Heavy Metal and Its Global Cultural Impact - Andy BrownPunk Rock Globalization - Ross HaenflerSECTION 5: The Star System - Introduction by Steve WaksmanRock Stars as Icons - David ShumwayEverybody's in Show Biz: Performing Star Identity in Popular Music - Philip AuslanderMidnight Ramblers and Material Girls: Gender and Stardom in Rock and Pop - Jacqueline WarwickDark Cosmos: Making Race, Shaping Stardom - C. Riley SnortonSECTION 6: Body and Identity - Introduction by Andy BennettBlurred lines, gender and Popular Music - Sheila WhiteleyPopular Music, Race and Identity - Jon StrattonDancing the Popular: The Expressive Interface of Bodies, Sound and Motion - Sherril DoddsShaping the Past of Popular music: Memory, Forgetting and Documenting - Catherine StrongSECTION 7: Media - Introduction by Andy BennettIn Print and On Screen: The Changing Character of Popular Music Journalism - Simon WarnerSight and Sound in Concert? The Interrelationship Between Music and Television - Tim Wall and Paul LongViewing with Your Ears, Listening With Your Eyes: Synching Popular Music and Cinema - Scott HendersonBeyond Napster: Popular Music and the 'Normal' Internet - Nick PriorSECTION 8: Technology - Introduction by Steve WaksmanPhonography and the 'Recording' in Popular Music - Patrick FeasterGhosts of Electricity: Amplification - Peter DoyleUbiquitous Musics: Technology, Listening, and Subjectivity - Anahid KassabianSECTION 9: Digital Economies - Introduction by Steve WaksmanModes of Production: The Value of Modal Analysis for Popular Music Studies - Tim AndersonMusic, Copies and Essences - Joanna DemersAuthorship, Ownership, and Musical Appropriation - Kembrew McLeodMusic Cartels and the Dematerialization of Power - Aram Sinnreich
Other Titles: Handbook of popular music
Popular music
Responsibility: edited by Andy Bennett and Steve Waksman.

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