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Scripting the Black masculine body : identity, discourse, and racial politics in popular media

Author: Ronald L Jackson
Publisher: Albany : State University of New York Press, ©2006.
Series: SUNY series, negotiating identity.
Edition/Format:   eBook : Document : State or province government publication : EnglishView all editions and formats
Summary:
"Scripting the Black Masculine Body traces the origins of Black body politics in the United States and its contemporary manifestations in popular cultural productions. From early blackface cinema through contemporary portrayals of the Black body in hip-hop music and film, Ronald L. Jackson II examines how African American identities have been socially constructed, constituted, and publicly understood, and argues  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Jackson, Ronald L., 1970-
Scripting the Black masculine body.
Albany : State University of New York Press, ©2006
(DLC) 2005002385
(OCoLC)57894231
Material Type: Document, Government publication, State or province government publication, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Ronald L Jackson
ISBN: 1423755766 9781423755760 9780791466261 0791466264 9780791466254 0791466256 9780791482377 0791482375
OCLC Number: 64560489
Description: 1 online resource (ix, 179 pages).
Contents: Introduction --
Origins of Black body politics --
Scripting the Black body in popular media : exploring process --
Black masculine scripts --
"If it feels this good gettin' used" : exploring the hypertext of sexuality in Hip-Hop music and pimp movies --
Toward an integrated theory of Black masculinity --
Epilogue : the revolution will not be televised.
Series Title: SUNY series, negotiating identity.
Responsibility: Ronald L. Jackson II.
More information:

Abstract:

"Scripting the Black Masculine Body traces the origins of Black body politics in the United States and its contemporary manifestations in popular cultural productions. From early blackface cinema through contemporary portrayals of the Black body in hip-hop music and film, Ronald L. Jackson II examines how African American identities have been socially constructed, constituted, and publicly understood, and argues that popular music artists and film producers often are complicit with Black body stereotypes. Jackson offers a communicative perspective on body politics through a blend of social scientific and humanities approaches and offers possibilities for the liberation of the Black body from its current ineffectual and paralyzing representations."--Jacket.

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