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Sémiotique visuelle et art rupestre : application sur un corpus de Namibie

Author: Hermione Kechagia; Robert Gauthier; Université Toulouse-Jean Jaurès.
Publisher: Toulouse : [s.n.], 1995.
Dissertation: Thèse de doctorat : Linguistique : Toulouse 2 : 1995.
Edition/Format:   Thesis/dissertation : Thesis/dissertation : French
Summary:
LE TRAVAIL CONSISTE EN UNE APPLICATION DE LA METHODE SEMIOTIQUE SUR UN CORPUS D'ART RUPESTRE. PAR CONSEQUENT, UN APERCU DES TRAVAUX DANS LE DOMAINE DES ETUDES EN ART RUPESTRE EST PRESENTE AINSI QUE DES REFLEXIONS METHODOLOGIQUES CONCERNANT LA SEMIOTIQUE VISUELLE. L'HYPOTHESE DU TRAVAIL CONSISTE PLUS PRECISEMENT EN LA RECHERCHE DES STRUCTURES SPATIO-TEMPORELLES DE CE LANGAGE. UN MODELE DE SEGMENTATION DU CORPUS EST
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Details

Material Type: Thesis/dissertation
Document Type: Book
All Authors / Contributors: Hermione Kechagia; Robert Gauthier; Université Toulouse-Jean Jaurès.
OCLC Number: 489977402
Notes: Reprod. refusée par décision du jury.
1995TOU20074.
Description: 261, CXIII f. ; 30 cm.
Responsibility: Kechagia D.Hermione ; sous la direction de Robert Gauthier.

Abstract:

LE TRAVAIL CONSISTE EN UNE APPLICATION DE LA METHODE SEMIOTIQUE SUR UN CORPUS D'ART RUPESTRE. PAR CONSEQUENT, UN APERCU DES TRAVAUX DANS LE DOMAINE DES ETUDES EN ART RUPESTRE EST PRESENTE AINSI QUE DES REFLEXIONS METHODOLOGIQUES CONCERNANT LA SEMIOTIQUE VISUELLE. L'HYPOTHESE DU TRAVAIL CONSISTE PLUS PRECISEMENT EN LA RECHERCHE DES STRUCTURES SPATIO-TEMPORELLES DE CE LANGAGE. UN MODELE DE SEGMENTATION DU CORPUS EST ELABORE SUIVANT LES PRINCIPES DE LA THEORIE DE LA GESTALT. BASEE SUR UNE DEFINITION TERNAIRE DU SIGNE ICONIQUE, UNE ETUDE DES CONSTITUANTS DES GESTALTS EST ENTREPRISE. PAR LA SUITE, LES ENTITES DE LA SEGMENTATION, A SAVOIR SUPRAGESTALTS, GESTALTS ET CONSTITUANTS SONT ETUDIEES DU POINT DE VUE CINETIQUE ET SYNTAXIQUE. UN MODELE ACTANTIEL EST MIS EN PLACE INTRODUISANT DES CONCEPTS COMME PROGRAMME NARRATIF, FONCTION, ACTANT ET ACTEUR. LES RESULTATS DE L'ANALYSE SONT RECONSTRUITS AFIN D'ESQUISSER UN ESSAI D'INTERPRETATION QUI DONNERA MATIERE A DISCUSSION.

THE PRESENT WORK IS AN APPLICATION OF SEMIOTIC METHOD TO A ROCK ART CORPUS. RELATIVE WORKS IN ROCK ART STUDIES ARE PRESENTED AND METHODOLOGICAL CONSIDERATIONS ABOUT VISUAL SEMIOTICS AS WELL. THE WORK HYPOTHESIS CONSISTS OF SPATIO-TEMPORAL STRUCTURE OF ROCK ART. A MODEL OF CORPUS SEGMENTATION IS ELABORATED IN ACCORDANCE WITH PRINCIPLES OF THE GESTALT THEORY. BASED ON A TERNARY DEFINITION OF THE ICONIC SIGN, A STUDY OF THE GESTALT CONSITUENTS IS ATTEMPTED. FURTHERMORE, THE UNITS OF SEGMENTATION, SUCH AS SUPRAGESTALTS, GESTALTS AND CONSTITUENTS, ARE STUDIED FROM A KINETIC AND SYNTACTICAL POINT OF VIEW. AN ACTANTIAL MODEL IS ESTABLISHED INTRODUCING CONCEPTS SUCH AS NARRATIVE PROGRAM, FUNCTION, ACTANT AND ACTOR. THE RESULTS OF THE WORK ARE RECONSTRUCTED IN ORDER TO OUTLINE AN INTERPRETATION ATTEMPT FOR FURTHER DISCUSSIONS.

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