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Seventeenth-century opera and the sound of the commedia dell'arte

Author: Emily Wilbourne
Publisher: Chicago : The University of Chicago Press, 2017.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
In this work, Emily Wilbourne boldly traces the roots of early opera back to the sounds of the commedia dell'arte. Along the way, she forges a new history of Italian opera, from the court pieces of the early 17th century to the public stages of Venice more than 50 years later. Wilbourne considers a series of case studies structured around the most important and widely explored operas of the period.
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Details

Genre/Form: Criticism, interpretation, etc
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Emily Wilbourne
ISBN: 9780226401607 022640160X 9780226401577 022640157X
OCLC Number: 990320393
Notes: Previously issued in print: 2016.
Target Audience: Specialized.
Description: 1 online resource : illustrations (black and white)
Responsibility: Emily Wilbourne.

Abstract:

In this work, Emily Wilbourne boldly traces the roots of early opera back to the sounds of the commedia dell'arte. Along the way, she forges a new history of Italian opera, from the court pieces of the early 17th century to the public stages of Venice more than 50 years later. Wilbourne considers a series of case studies structured around the most important and widely explored operas of the period.

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"This book smartly inserts the commedia dell'arte into scholarly conversations about drama, opera, and early modern musical practice. Wilbourne makes important claims for commedia dell'arte that Read more...

 
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