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SHAKESPEARE, THEOLOGY, AND THE UNSTAGED GOD

Author: Anthony D Baker
Publisher: [S.l.] : ROUTLEDGE, 2019.
Series: Routledge Studies in Theology, Imagination and the Arts Ser.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
While many scholars in Shakespeare and Religious Studies assume a secularist viewpoint in their interpretation of Shakespeare's works, there are others that allow for a theologically coherent reading. Located within the turn to religion in Shakespeare studies, this book goes beyond the claim that Shakespeare simply made artistic use of religious material in his drama. It argues that his plays inhabit a complex and  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
(OCoLC)1101387010
Named Person: William Shakespeare; William Shakespeare
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Anthony D Baker
ISBN: 9780429199448 0429199449 9780429581182 0429581181 9780429578960 0429578962 9780429583087 0429583087
OCLC Number: 1111711241
Description: 1 online resource
Contents: Cover; Half Title; Series Page; Title; Copyright; Dedication; Contents; Acknowledgments; Foreword; Introduction: on God's hidden presence; PART I Theology and history; 1 Divine courtesy; 2 The unexceptional king; PART II Theology and tragedy; 3 The hidden double; 4 Human gods; PART III Theology and comedy; 5 Unauthorized grace; 6 Comic repentance; Conclusion: Shakespeare's theatrical Good Friday; Index
Series Title: Routledge Studies in Theology, Imagination and the Arts Ser.

Abstract:

While many scholars in Shakespeare and Religious Studies assume a secularist viewpoint in their interpretation of Shakespeare's works, there are others that allow for a theologically coherent reading. Located within the turn to religion in Shakespeare studies, this book goes beyond the claim that Shakespeare simply made artistic use of religious material in his drama. It argues that his plays inhabit a complex and rich theological atmosphere, individually, by genre and as a body of work. The book begins by acknowledging that a plot-controlling God figure, or even a consistent theological dogma, is largely absent in the plays of Shakespeare. However, it argues that this absence is not necessarily a sign of secularization, but functions in a theologically generative manner. It goes on to suggest that the plays reveal a consistent, if variant, attention to the theological possibility of a divine "presence" mediated through human wit, both in gracious and malicious forms. Without any prejudice for divine intervention, the plots actually gesture on many turns toward a hidden supernatural "actor", or God. Making bold claims about the artistic and theological of Shakespeare's work, this book will be of interest to scholars of Theology and the Arts, Shakespeare and Literature more generally.

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