Shakespearean criticism. Volume 31 (eBook, 1996) [WorldCat.org]
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Shakespearean criticism. Volume 31
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Shakespearean criticism. Volume 31

Author: Marie Lazzari
Publisher: Detroit, Mich. : Gale Research, 1996.
Series: Literature criticism online; Literature criticism online.
Edition/Format:   eBook : Document : English
Summary:
Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism,  Read more...
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Details

Genre/Form: Tragicomedies
Criticism, interpretation, etc
History
Poetry
Stories, plots, etc
Named Person: William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Marie Lazzari
ISBN: 9780810392809 0810392801 1414417969 9781414417967
OCLC Number: 644719413
Description: 1 online resource.
Contents: Shakespeare's representation of women --
King Lear by William Shakespeare --
Much ado about nothing by William Shakespeare --
The taming of the shrew by William Shakespeare.
Series Title: Literature criticism online; Literature criticism online.
Responsibility: Marie Lazzari, editor.

Abstract:

Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance.

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