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| ประเภท/แบบฟอร์ม | Criticism, interpretation, etc |
|---|---|
| ชื่อบุคคล: | William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare; William Shakespeare |
| ขนิดวัสดุ: | ทรัพยากรอินแทอร์เน็ต |
| ประเภทเอกสาร | หนังสือ, แหล่งข้อมูลอินเทอร์เน็ต |
| ผู้แต่งทั้งหมด : ผู้แต่งร่วม |
Pauline Kiernan |
| ISBN: | 0521633583 9780521633581 0521550467 9780521550468 |
| OCLC Number: | 40066489 |
| หมายเหตุ | Originally published: 1996. |
| คำอธิบาย: | xii, 218 pages ; 22 cm |
| สารบัญ: | 1. Introduction -- 2. Shakespeare and Sidney. Two worlds: the brazen and the golden -- 3. Shakespeare and Ovid. 'What strained touches rhetoric can lend': poetry metamorphosed in Venus and Adonis and the Sonnets -- 4. 'In scorn of nature, art gave lifeless life': exposing art's sterility. The Rape of Lucrece, The Winter's Tale and The Tempest -- 5. 'O'er-wrested seeming': dramatic illusion and the repudiation of mimesis. Love's Labour's Lost, A Midsummer Night's Dream and Hamlet -- 6. 'Thy registers and thee I both defy': history challenged. Richard III, Henry VIII, Henry V and Richard II -- 7. Antony and Cleopatra as 'A Defence of Drama'. |
| ความรับผิดชอบ: | Pauline Kiernan. |
| ข้อมูลเพิ่มเติม |
รีวิว
สรุปความของสำนักพิมพ์
'This is a groundbreaking book, the kind it is hard to believe hasn't already been written. Kiernan identifies a curious reluctance on the part of critics to explore the possibility that Shakespeare might have developed a theory of drama ... this deceptively simple argument results in some stunning rereadings of both poems and plays.' Shakespeare Survey 'We have been told countless times that Shakespeare's plays were meant to be performed. Here then, apart from the 'magic of the theatre', is a reasoned and lucid explanation why the plays need and depend on performance ... Shakespeare's Theory of Drama is provocative, lucid, learned and carefully argued. It is an important book that deserves the attention of all students of Shakespeare, his plays, their performances, and their texts.' Modern Language Review 'Kiernan's argument in this well-structured book is that Shakespeare had a conscious and deliberate theory of drama, as distinct from poetry, and that in his poems and plays he set about a 'refutation of Renaissance aesthetics' ... Much is provocative. We are directed to thoughtful, detailed consideration of many germane passages, not all of them obvious.' The Use of English 'Kiernan is a lively reader and has a vigorous argumentative style.' Studies in English Literature 'This is a radical and original book which robustly contests the familiar image of the 'natural' poet with no central aesthetic purpose.' Year's Work in English Studies ' ... an intellectually stimulating book which will provoke a good deal of thought and controversy'. The Review of English Studies อ่านมากขึ้น…
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เนื้อรื่อง:(26)
- Shakespeare, William, -- 1564-1616 -- Aesthetics.
- English drama -- Early modern and Elizabethan, 1500-1600 -- History and criticism -- Theory, etc.
- English drama -- 17th century -- History and criticism -- Theory, etc.
- Aesthetics, Modern -- 16th century.
- Aesthetics, Modern -- 17th century.
- Shakespeare, William, -- 1564-1616 -- Esthétique.
- Théâtre anglais -- 16e siècle -- Histoire et critique -- Théorie, etc.
- Théâtre anglais -- 17e siècle -- Histoire et critique -- Théorie, etc.
- Esthétique -- 16e siècle.
- Esthétique -- 17e siècle.
- Shakespeare, William, -- 1564-1616.
- Aesthetics.
- Aesthetics, Modern.
- Shakespeare, William -- 1564-1616
- Dramentheorie
- Theorieën.
- Toneelstukken.
- Shakespeare, William, -- (1564-1616) -- Critique et interprétation.
- Théâtre anglais -- 16e siècle.
- Théâtre anglais -- 17e siècle.
- Shakespeare, William.
- English drama -- Early modern and Elizabethan, 1500-1600 -History and criticism -- Theory, etc
- English drama -- 17th century -- History and criticism -Theory, etc
- Aesthetics, Modern -- 16th century
- Aesthetics, Modern -- 17th century
- Shakespeare, William, 1564-1616 -- Aesthetics